Mahesh Ranjan Shome's ' "Aalta Ranga Duti Paye - Durga Bhajan" was released on its scheduled release date, April 1, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Sri Maa Sarada Bhajan". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. The popularity of Aalta Ranga Duti Paye - Durga Bhajan is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Aalta Ranga Duti Paye - Durga Bhajan by Mahesh Ranjan Shome having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gharer Kanya Kalo Bole | Raghab Chatterjee | E Major | 4 | 12B | 110 BPM | ||
| Hare Krishna Vol 2 Part 2 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Ovya Gauni Swarat | Shakuntala Jadhav | E♭ Minor | 8 | 2A | 81 BPM | ||
| Jaina Smaran Thi | Kishore Manraja | E♭ Major | 7 | 5B | 150 BPM | ||
| Itna Tu Karna Swami | Shri Prakash Gossai | F Major | 5 | 7B | 106 BPM | ||
| Aathwa Adhyay | Maaruti Mohataa | E♭ Major | 6 | 5B | 108 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Amay Jodi Go Mone | Suvas Chakroborti | E♭ Minor | 8 | 2A | 81 BPM | ||
| Dibanishi Bhabo Re Mon | Indranil Dutta | D Major | 4 | 10B | 180 BPM | ||
| Brindabono Bilasini Rai Aaamader | Shilpi Das | E Major | 7 | 12B | 112 BPM | ||
| Sharade Varade Maa | Sri Ganapathy Sachchidananda Swamiji | D Major | 5 | 10B | 120 BPM | ||
| Badrinath Stuti | Naisha Joshi, Shailesh Pandya | D♭ Major | 5 | 3B | 100 BPM | ||
| Harinaam Sankirtan - Original | Amrik Singh Arora, NA | E♭ Major | 6 | 5B | 111 BPM | ||
| More Bare Bare | Srikanta Acharya | C Major | 6 | 8B | 131 BPM | ||
| Madhuban Ke Mandiron Mein | Rajendra Jain, Jaya Sinha | G Major | 7 | 9B | 78 BPM | ||
| E Kothay Ma Go | Ramkumar Chattopadhyay | F Major | 8 | 7B | 110 BPM | ||
| Ovolu Arati Madan Gopala | Ravindra Sathe, Sangeeta Kulkarni | F Minor | 9 | 4A | 116 BPM | ||
| Aaji Mandiror | Pankaj Bardoloi | G Minor | 6 | 6A | 167 BPM | ||
| Hare Krishna 3 - Original | Debjit, Bitu Samajpati, NA | B Minor | 8 | 10A | 136 BPM | ||
| Sishur Saral Haasi | Srikanta Acharya | C Major | 4 | 8B | 98 BPM | ||
| Hinglaj Chalisa | Vijay Jogia | A♭ Minor | 6 | 1A | 82 BPM | ||
| Mere Bhole Baba Ji - Hindi | Santosh Pathak Raman | E Minor | 7 | 9A | 90 BPM | ||
| O Ma Jasode Go | Amar Pal | D♭ Major | 3 | 3B | 133 BPM | ||
| Vidya Evam Matribhaav Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM |