Allison Weiss's ' "How To Be Alone" was released on its scheduled release date, 2013. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Say What You Mean". In this album, this song's track order is #5. In terms of popularity, How To Be Alone is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With How To Be Alone by Allison Weiss having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overreaction | HappyHappy | C Major | 7 | 8B | 81 BPM | ||
| The Killing Type | Amanda Palmer, The Grand Theft Orchestra | C Major | 8 | 8B | 107 BPM | ||
| Bite Me | Pacing | A Minor | 4 | 8A | 121 BPM | ||
| Autoclave | The Mountain Goats | C Major | 8 | 8B | 160 BPM | ||
| Wolf Biter (Terrible Habit) | Charlie Mtn., John-Allison Weiss | E Major | 8 | 12B | 150 BPM | ||
| communist love song | Soltero | E Minor | 5 | 9A | 103 BPM | ||
| Get Disowned | Hop Along | B Major | 5 | 1B | 96 BPM | ||
| Habit | Rosie Tucker | C Major | 7 | 8B | 121 BPM | ||
| Making It Up | John-Allison Weiss | A Major | 9 | 11B | 77 BPM | ||
| Cool Party | Mal Blum | B♭ Minor | 4 | 3A | 87 BPM | ||
| The Good That Won't Come Out | Rilo Kiley | G Major | 4 | 9B | 169 BPM | ||
| Better Than I Was | Mal Blum | G Major | 9 | 9B | 174 BPM | ||
| Loser Boy | Joseph Dubay | G Major | 8 | 9B | 175 BPM | ||
| Specimen | Daisy the Great | B♭ Major | 4 | 6B | 176 BPM | ||
| Betrayed By Bones | Hellogoodbye | D Major | 5 | 10B | 140 BPM | ||
| Everybody's Falling in Love | *repeat repeat | B Minor | 9 | 10A | 168 BPM | ||
| Clear Enough | Oakman | D Major | 10 | 10B | 132 BPM | ||
| Reverse | Minimall | D Major | 4 | 10B | 115 BPM | ||
| Fucking Depressed | Bad Daughter | G Major | 7 | 9B | 132 BPM | ||
| Berlin | Adult Mom | F♯ Major | 6 | 2B | 129 BPM | ||
| Die Anywhere Else (From "Night in the Woods") | Julia Henderson, Lorenzo de Sequera | E♭ Major | 7 | 5B | 165 BPM | ||
| Milk Duds | Lady Lamb | D Major | 6 | 10B | 123 BPM | ||
| In an Emergency Such as the End of the World | Chase Petra | B Minor | 6 | 10A | 125 BPM | ||
| I've Been Dead All Day | Bayside | B Minor | 6 | 10A | 109 BPM | ||
| Honeydew | Small Talks, Cayley Spivey | F Major | 8 | 7B | 105 BPM |