"Strange Birds Passing" by John Luther Adams, New England Conservatory Contemporary Ensemble, John Heiss had its release date on April 17, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Luther Adams, Callithumpian Consort, Stephen Drury's "Luther Adams: Songbirdsongs" album is number 10 out of 10. On top of that, United States appears to be the country where this track was created. Strange Birds Passing is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strange Birds Passing by John Luther Adams, New England Conservatory Contemporary Ensemble, John Heiss to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| New York Counterpoint: I. Fast | Steve Reich, Evan Ziporyn | F♯ Major | 3 | 2B | 83 BPM | ||
| Preludes: Book I: No. 6: Footprints in the Snow | Isao Tomita | D Minor | 0 | 7A | 67 BPM | ||
| Sonata for Flute, Viola & Harp, CD 145: I. Pastorale. Lento, dolce rubato | Claude Debussy, Kim Kashkashian, Sivan Magen, Marina Piccinini | F Major | 0 | 7B | 113 BPM | ||
| Venus In Cancer | Robbie Basho | A Major | 3 | 11B | 140 BPM | ||
| Ama and the Mountain | Susumu Yokota | F♯ Major | 4 | 2B | 85 BPM | ||
| Under Stars - 2005 Mix | Brian Eno | A♭ Minor | 0 | 1A | 67 BPM | ||
| Piano Piece | Faust | C Major | 1 | 8B | 71 BPM | ||
| Another Green World - 2004 Remaster | Brian Eno | D♭ Major | 0 | 3B | 76 BPM | ||
| Actinium | Xenia Pestova Bennett, Ligeti Quartet | D Major | 1 | 10B | 100 BPM | ||
| Roses And Snow - Vocal | Robbie Basho | C Major | 5 | 8B | 133 BPM | ||
| Soleil | Michael Masley | G Major | 3 | 9B | 159 BPM | ||
| Joy | Jefre Cantu-Ledesma | F Major | 0 | 7B | 73 BPM | ||
| Three Nocturnes: III. Moonset | John Luther Adams, Robert Black | A♭ Major | 4 | 4B | 100 BPM | ||
| Suite Pour L'invisible | Ana Roxanne | D Major | 1 | 10B | 177 BPM | ||
| Pentachrome | Laurie Spiegel | A Minor | 1 | 8A | 75 BPM | ||
| Phrygian Gates, Pt. 2 (A System of Weights and Measures) | John Adams | D Major | 0 | 10B | 55 BPM | ||
| Roller | Chris Abrahams | B Minor | 1 | 10A | 180 BPM | ||
| The Dance No. 2 | Laraaji, Brian Eno | B Minor | 8 | 10A | 112 BPM | ||
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
| Between Two Worlds | Meg Baird, Mary Lattimore | A Major | 1 | 11B | 99 BPM | ||
| The Silver Ball - 2005 Digital Remaster | Harold Budd, Brian Eno | F♯ Minor | 0 | 11A | 81 BPM | ||
| Water Memory 1 | Emily A. Sprague | G Minor | 1 | 6A | 67 BPM | ||
| Touch me & die | Kara-Lis Coverdale | F♯ Major | 2 | 2B | 180 BPM | ||
| Litanic Cloth Wrung | Kali Malone | F♯ Major | 0 | 2B | 61 BPM | ||
| Becalmed - 2004 Remaster | Brian Eno | F♯ Minor | 0 | 11A | 119 BPM |