Father Sydney MacEwan's ' "Trusting Eyes" was released on its scheduled release date, March 1, 2011. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Trusting Eyes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Somewhere A Vice Is Calling". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Trusting Eyes's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Trusting Eyes by Father Sydney MacEwan having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| By Cool Siloam's Shady Rill | William Gardiner, Treorchy Male Voice Choir, John Haydn Davies | C Major | 2 | 8B | 73 BPM | ||
| Take Me Back To Dear Old Blighty - 1917 | Florrie Forde | F Major | 2 | 7B | 94 BPM | ||
| Guide Me O Thou Great Jehova | Swansea Gospel Male Voice Choir | A Major | 4 | 11B | 82 BPM | ||
| Amazing Grace | Côr Rhymni Silurian | A♭ Major | 2 | 4B | 90 BPM | ||
| Jersusalem | London Philharmonic Choir | D Major | 2 | 10B | 69 BPM | ||
| Galway Bay | Brendan Bowyer | E Major | 1 | 12B | 186 BPM | ||
| Mine Eyes Have Seen The Glory | London Philharmonic Choir | C Major | 6 | 8B | 110 BPM | ||
| A Quiet Kind Of Love | Richard Chamberlain | B♭ Major | 1 | 6B | 80 BPM | ||
| This is the Army, Mr. Jones | Irving Berlin | A Minor | 3 | 8A | 148 BPM | ||
| The Lonely Things | Glenn Yarbrough | D♭ Minor | 1 | 12A | 80 BPM | ||
| Virginia Reel (Medley) | Jimmy Shand Jr., Jimmy Shand | G Major | 9 | 9B | 118 BPM | ||
| Bonnie Kirkwall Bay | Jim MacLeod & His Band | G Major | 2 | 9B | 104 BPM | ||
| Charlie Chaplin | The Oldham Tinkers | D Major | 3 | 10B | 114 BPM | ||
| Thine Alone | Kathryn Grayson | B Minor | 2 | 10A | 89 BPM | ||
| The Meeting of the Waters | Father Sydney MacEwan | A♭ Major | 1 | 4B | 94 BPM | ||
| Lovely Laois | Trudi Lalor | A♭ Major | 2 | 4B | 101 BPM | ||
| Cwm Rhondda / Guide Me, O Thou Great Jehovah | John Hughes, Bryn Terfel, Welsh National Opera Orchestra, Gareth Jones, The Black Mountain Choir, The Risca Choir | A♭ Major | 3 | 4B | 80 BPM | ||
| Friends And Neighbours | Billy Cotton & His Band | F Major | 2 | 7B | 114 BPM | ||
| Si Hei Lwli | Leah Owen | G Major | 1 | 9B | 189 BPM | ||
| Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
| Pennies from Heaven | Arthur Tracey | C Major | 1 | 8B | 87 BPM | ||
| The Hold-up at Eugowra Rocks | A. L. Lloyd | C Minor | 5 | 5A | 109 BPM | ||
| Hinky Dinky Parley Voo | Merrill Staton Choir | D♭ Major | 8 | 3B | 125 BPM | ||
| Mrs Worthington | Noel Coward | E♭ Major | 2 | 5B | 137 BPM | ||
| Bonnie Mary of Argyle | Father Sydney MacEwan | F♯ Major | 1 | 2B | 77 BPM |