Rest In Fucking Pieces - Extended Killer Cut
John Ridout
Rest In Fucking Pieces
8:20 October 31, 2013
BPM
150
Key
F♯ Major
Camelot
2B

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Rest In Fucking Pieces - Extended Killer Cut by John Ridout Song Details

John Ridout's 'Rest In Fucking Pieces - Extended Killer Cut' had a release date set for October 31, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Rest In Fucking Pieces only contains only one song in the album, we like to consider this song as a single. Based on our statistics, Rest In Fucking Pieces - Extended Killer Cut's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Rest In Fucking Pieces - Extended Killer Cut by John Ridout having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-7.022 dB
Acousticness
0%
Danceability
64%
Energy
100%
Instrumentalness
60%
Liveness
66%
Loudness
88%
Speechiness
6%
Valence
32%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records