Chris Proctor's ' "Seven-Oh-Four" was released on its scheduled release date, December 4, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Chris Proctor Collection". In this album, this song's track order is #5. In terms of popularity, Seven-Oh-Four is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Seven-Oh-Four by Chris Proctor having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Veins of Glass | Aureum Classics | G Major | 2 | 9B | 125 BPM | ||
| Bantry Girl's Lament | Randal L Meek | D♭ Major | 2 | 3B | 74 BPM | ||
| First To Know | Ed Gerhard | B Major | 2 | 1B | 67 BPM | ||
| Clouds | Bounce Melody | F Major | 1 | 7B | 121 BPM | ||
| Carolina Blue Guitar | Tim Sparks | G Major | 3 | 9B | 134 BPM | ||
| California Dreamin'/Paint It Black/Runaway | Chris Proctor | G Minor | 2 | 6A | 81 BPM | ||
| Let It Be Me | Ed Gerhard | D Major | 2 | 10B | 128 BPM | ||
| Midnight Runner | Emilio Bonito | A♭ Major | 4 | 4B | 84 BPM | ||
| Irish Blessing | Tony Sandate | C Major | 0 | 8B | 87 BPM | ||
| The Shining Barrier | Trevor Gordon Hall | B♭ Major | 2 | 6B | 113 BPM | ||
| Olde Town | Ken Verheecke | B Major | 2 | 1B | 169 BPM | ||
| Coming Home | Joachim Storl | A Major | 2 | 11B | 110 BPM | ||
| View from Space - Harp Guitar Duet | Muriel Anderson, John Doan | F Major | 2 | 7B | 170 BPM | ||
| Can You Hear the Rain | Tony Furtado | A Major | 1 | 11B | 107 BPM | ||
| The Sleeping Girl | Larry Pattis | D Major | 4 | 10B | 116 BPM | ||
| Nights in White Satin | Chris Proctor | G Minor | 2 | 6A | 120 BPM | ||
| Dangerous Roads | Franco Morone | F♯ Minor | 6 | 11A | 89 BPM | ||
| Medley: Be Thou My Vision; Amazing Grace | El McMeen | A Major | 2 | 11B | 86 BPM | ||
| The Parting Glass | Al Petteway | F Major | 1 | 7B | 82 BPM | ||
| Azalea | Realizer, Mark Grundhoefer | G Major | 2 | 9B | 112 BPM | ||
| Hand in Hand | Realizer, Isabella Mariscal | A Major | 1 | 11B | 96 BPM | ||
| Waltzing Matilda | Larry Pattis | D Major | 2 | 10B | 66 BPM | ||
| Le Voyage De Giselle | Franco Morone | D♭ Major | 1 | 3B | 128 BPM | ||
| Late Again | Chris Proctor | F Major | 3 | 7B | 140 BPM | ||
| Soliloquy | Peter Ciluzzi | E Major | 3 | 12B | 96 BPM |