Martin Bussey, Lord Byron, Thomas Kemp, Marcus Farnsworth's ' "Through a Glass: VI. Deep in My Soul" was released on its scheduled release date, September 1, 2014. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Through a Glass: Songs by Martin Bussey". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The popularity of Through a Glass: VI. Deep in My Soul is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Through a Glass: VI. Deep in My Soul by Martin Bussey, Lord Byron, Thomas Kemp, Marcus Farnsworth having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Snow Angel (Live) | Sarah Quartel, Halifax Camerata Singers, Hilary Brown, Jeff Joudrey, Lynette Wahlstrom | C Minor | 2 | 5A | 178 BPM | ||
| Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | ||
| Echoes of the Lost World | Darius Lim, Voices of Singapore Children’s Choir, Gabriel Hoe, Richard Ter, Kangren Chen, Julian Li | A Minor | 2 | 8A | 71 BPM | ||
| Inventions for Choir: No. 1, Anywhere | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| What are children to the Lord? | Kim André Arnesen, Thomas Berg-Juul, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders | A♭ Major | 0 | 4B | 102 BPM | ||
| Christ Our Passover | University of King's College Chapel Choir, Paul Halley | C Minor | 2 | 5A | 105 BPM | ||
| Del Nacimiento | Martin Bussey, Sonoro, Neil Ferris | C Major | 1 | 8B | 66 BPM | ||
| Inventions for Choir: No. 2, The Duchess | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| A la venue de Noël | Christian Villeneuve, Anonyme, Christophe Gautier, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 128 BPM | ||
| Rainland | Joseph Phibbs, Máire Flavin, Chloe Treharne, Laura Baker, Chetham's School of Music Chamber Choir, Chetham's School of Music Symphonic Brass Ensemble, Martin Bussey | E♭ Major | 1 | 5B | 92 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IId. Quoniam tu solus Sanctus | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 10, Praise to the Holiest in the height (Choir of Angelicals) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, Jamie Barton, London Philharmonic Choir | D Major | 2 | 10B | 86 BPM | ||
| Canticle of Zachariah | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | G Minor | 1 | 6A | 94 BPM | ||
| Mass of the Transfiguration: III. Gospel Acclamation | Normand Gouin, David L. Ball, Diocesan Choir, Diocesan Children's Choir, Cathedral English Choir, Cathedral Schola, Cathedral Spanish Choir, Cathedral Vietnamese Choir, John A. Romeri | A Minor | 2 | 8A | 64 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Coventry Carol | The Choir of All Saints' Episcopal Church | F Minor | 1 | 4A | 137 BPM | ||
| 6 Sprüche, Op. 79 (Ed. J. Jordan): No. 1, Weihnachten | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | A♭ Minor | 0 | 1A | 68 BPM | ||
| Ojcze Nasz | Hope Singers | D♭ Major | 2 | 3B | 74 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 8, Rescue him, O Lord, in this his evil hour (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM |