"Largo Winch" by Alexandre Desplat had its release date on January 1, 2008. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Alexandre Desplat's "Largo Winch (Original Motion Picture Soundtrack)" album is number 1 out of 26. On top of that, United States appears to be the country where this track was created. In terms of popularity, Largo Winch is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Largo Winch by Alexandre Desplat to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simple Harp Variation No. 1 | Martin Phipps | A♭ Minor | 1 | 1A | 101 BPM | ||
| Ben | Trevor Rabin | C Major | 1 | 8B | 119 BPM | ||
| Courtyard Apocalypse | Alexandre Desplat | D♭ Major | 3 | 3B | 97 BPM | ||
| Follow Your Feet | Carter Burwell | D Major | 0 | 10B | 87 BPM | ||
| The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
| Afghan Trek | Theodore Shapiro, Mark Graham | A♭ Minor | 3 | 1A | 100 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Gregory Gives Mig Away | William Ross | A♭ Major | 0 | 4B | 0 BPM | ||
| Lyra: The Child of Prophecy | Lorne Balfe | A Minor | 1 | 8A | 84 BPM | ||
| Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 65 BPM | ||
| The Downed Dragon | John Powell | G Major | 1 | 9B | 166 BPM | ||
| Septimus | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 7 | 9B | 154 BPM | ||
| My Daughter Anne | Ari Posner, Amin Bhatia | C Minor | 0 | 5A | 68 BPM | ||
| Full House | Alan Silvestri | C Major | 2 | 8B | 138 BPM | ||
| Knights of the Round Table | Rob Lane | E Major | 1 | 12B | 86 BPM | ||
| Can I Come With You? | Murray Gold | A Minor | 1 | 8A | 78 BPM | ||
| Grace in the Mirror | Jeff Danna, Mychael Danna | C Minor | 1 | 5A | 173 BPM | ||
| A Place Like This | Mike Higham, Matthew Margeson | G Minor | 1 | 6A | 120 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| New Tail [2m15] | John Powell | G Major | 2 | 9B | 112 BPM | ||
| Alone In The World | Alexandre Desplat | C Major | 1 | 8B | 128 BPM | ||
| Maria's Sacrifice | Christian Henson | G Major | 3 | 9B | 80 BPM | ||
| Epilogue | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 0 BPM | ||
| Underwater March | Klaus Badelt | B♭ Major | 2 | 6B | 69 BPM | ||
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM |