George Jones, Tammy Wynette's ' "It Sure Was Good" was released on its scheduled release date, January 1, 1979. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. It Sure Was Good's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Jones's "My Very Special Guests (Legacy Edition)" album is number 5 out of 37. In terms of popularity, It Sure Was Good is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of It Sure Was Good by George Jones, Tammy Wynette to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Back Sliders Wine | Gary Stewart | C Major | 4 | 8B | 108 BPM | ||
| I've Always Been Crazy | Waylon Jennings | A Major | 7 | 11B | 110 BPM | ||
| Leaving Louisiana In The Broad Daylight | The Oak Ridge Boys | F Major | 6 | 7B | 96 BPM | ||
| Killin' Time | Clint Black | E Major | 8 | 12B | 118 BPM | ||
| Apartment No.9 | Faron Young | C Major | 2 | 8B | 75 BPM | ||
| From Hillbilly Heaven to Honky Tonk Hell (feat. George Jones & Tracy Lawrence) | Kenny Chesney, George Jones, Tracy Lawrence | C Major | 4 | 8B | 90 BPM | ||
| Live Fast, Love Hard, Die Young | Faron Young | B♭ Major | 2 | 6B | 94 BPM | ||
| Where Corn Don't Grow | Travis Tritt | E Major | 6 | 12B | 98 BPM | ||
| Once You've Had the Best - Single Version | George Jones | G Major | 3 | 9B | 90 BPM | ||
| Bubba Shot The Jukebox | Mark Chesnutt | G Major | 6 | 9B | 165 BPM | ||
| Walking the Streets | Webb Pierce | G Major | 5 | 9B | 134 BPM | ||
| What's Made Milwaukee Famous (Has Made A Loser Out Of Me) | Jerry Lee Lewis | C Major | 4 | 8B | 102 BPM | ||
| Old Flame | Alabama | F Major | 4 | 7B | 110 BPM | ||
| Old Dogs, Children And Watermelon Wine | Tom T. Hall | F Major | 3 | 7B | 110 BPM | ||
| I Meant Every Word He Said | Ricky Van Shelton | E Major | 2 | 12B | 86 BPM | ||
| Loving Blind | Clint Black | A Major | 4 | 11B | 81 BPM | ||
| Trying To Love Two Women | The Oak Ridge Boys | F Major | 4 | 7B | 87 BPM | ||
| She Took It Like a Man - Remastered Version | Confederate Railroad | G Major | 6 | 9B | 124 BPM | ||
| Should I Come Home (Or Should I Go Crazy) | Gene Watson | A♭ Major | 6 | 4B | 110 BPM | ||
| In Some Room Above the Street | Gary Stewart | A Major | 5 | 11B | 145 BPM | ||
| What She Don't Know Won't Hurt Her | Gene Watson | A Minor | 6 | 8A | 104 BPM | ||
| I Just Don't Like Lovin' You | Malpass Brothers | A Major | 4 | 11B | 83 BPM | ||
| Trashy Women - Remastered Version | Confederate Railroad | A Major | 8 | 11B | 143 BPM | ||
| Two Story House | George Jones | D♭ Major | 4 | 3B | 83 BPM | ||
| Time Marches On | Tracy Lawrence | F♯ Minor | 5 | 11A | 118 BPM |