Pierce Brothers's ' "The Records Were Ours" was released on its scheduled release date, May 19, 2017. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "The Records Were Ours". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Australia. In terms of popularity, The Records Were Ours is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Records Were Ours by Pierce Brothers having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holding On | Kyle Lionhart | F Major | 5 | 7B | 88 BPM | ||
| Spanish Wine | Wolf Gordon | D Minor | 6 | 7A | 128 BPM | ||
| Does This Last | Boo Seeka | B Major | 6 | 1B | 141 BPM | ||
| Worth the Wait | Didirri | G Major | 5 | 9B | 124 BPM | ||
| Life Is Confusing - Recorded at Sound Stage Studios Nashville | Langhorne Slim | A Major | 2 | 11B | 71 BPM | ||
| Going Back to Bowenville | Stu Larsen | D Minor | 3 | 7A | 143 BPM | ||
| I Won't Stop | nomad | D Major | 4 | 10B | 170 BPM | ||
| Basil | Jeremy Loops | E Major | 6 | 12B | 172 BPM | ||
| Class A Girl | Kyle Lionhart | F♯ Major | 2 | 2B | 109 BPM | ||
| Real Peach | Henry Jamison | D♭ Major | 6 | 3B | 152 BPM | ||
| I Know | Sammy Brue | E Major | 5 | 12B | 96 BPM | ||
| Bird Sounds | Didirri | D Minor | 3 | 7A | 156 BPM | ||
| Late Night Store | Husky | D Major | 9 | 10B | 122 BPM | ||
| Carito | Tay Oskee | A Major | 5 | 11B | 99 BPM | ||
| Two Sides | Joel Taylor | G Major | 4 | 9B | 62 BPM | ||
| Isla | Toby Johnson | F♯ Major | 4 | 2B | 111 BPM | ||
| Devil's Ivy | Little Quirks | C Major | 6 | 8B | 97 BPM | ||
| Only Lonely | The Ballroom Thieves | G Major | 3 | 9B | 91 BPM | ||
| Running On | Anna & Jordan | E Major | 5 | 12B | 115 BPM | ||
| The Motorbike Song | James Kenyon | G Major | 3 | 9B | 154 BPM | ||
| Burning | Mitch King | E♭ Minor | 7 | 2A | 104 BPM | ||
| Looking for Love | Birdtalker | G Major | 7 | 9B | 81 BPM | ||
| Candle | All Our Exes Live in Texas | C Minor | 6 | 5A | 169 BPM | ||
| The Long Road | Riley Pearce | A Major | 5 | 11B | 130 BPM | ||
| Smiling At Strangers | Michael Dunstan | B♭ Major | 6 | 6B | 100 BPM |