Bill Morris's ' "There Were Roses" was released on its scheduled release date, June 1, 2010. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. This song is part of Walkin' There by Bill Morris. The song's track number on the album is #9 out of 13 tracks. There Were Roses is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since There Were Roses by Bill Morris has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With There Were Roses being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Hunter | Don Tuttle | E Minor | 2 | 9A | 150 BPM | ||
| A New Day | Aqurite | G Major | 1 | 9B | 149 BPM | ||
| Can't You Hear The | Brandon Bart | D Major | 3 | 10B | 121 BPM | ||
| As I Was a Wand'ring | Emily Smith | B Major | 1 | 1B | 177 BPM | ||
| Wedding Song | Nick Watson | G Major | 1 | 9B | 149 BPM | ||
| Nothin' | Jacques Mees, Dylan Michels | G Major | 1 | 9B | 149 BPM | ||
| Evolution | Antje Duvekot | G Major | 2 | 9B | 92 BPM | ||
| Sumach Street | David Francey | D Major | 3 | 10B | 106 BPM | ||
| Time to Sleep | Priscilla Herdman | C Minor | 1 | 5A | 115 BPM | ||
| The Sweet Nightingale | Rachel Davis & Darren McMullen | E Major | 2 | 12B | 118 BPM | ||
| Alice in the Bacon Box | Lucy Ward | C Major | 3 | 8B | 142 BPM | ||
| (Ours Is A) Simple Faith | Mustard's Retreat | G Major | 2 | 9B | 169 BPM | ||
| Bastion of the Damned | Avery Johnson | B♭ Major | 2 | 6B | 126 BPM | ||
| Fix Now Our Hope in You | Every Moment Holy: Prayer Songs, Jon Lowry | G Major | 1 | 9B | 149 BPM | ||
| Eve After The Apple | Brad Colerick | G Major | 6 | 9B | 109 BPM | ||
| Hold the Line | Nathan Rogers | C Major | 2 | 8B | 122 BPM | ||
| Mya Bonny Boys Have Gone | Mandel Tom | C Major | 3 | 8B | 165 BPM | ||
| The River Driver | Matthew Byrne | F Major | 2 | 7B | 104 BPM | ||
| Annie's Lover | Dave Carter, Tracy Grammer | C Major | 1 | 8B | 79 BPM | ||
| Green Rolling Hills | Emmylou Harris | D Major | 2 | 10B | 76 BPM | ||
| Eyes To The Hills - Ps.121 | Jamie Soles | G Major | 3 | 9B | 146 BPM | ||
| Banks of the Seaway | David Francey, Mike Ford | C Major | 3 | 8B | 204 BPM | ||
| Kiri's Piano | James Keelaghan | E Major | 3 | 12B | 145 BPM | ||
| Your Angelic Face | G.B. Lamb | D Major | 2 | 10B | 168 BPM | ||
| Behind the Wall of Glass | Sonic Pulse Project | B♭ Major | 3 | 6B | 151 BPM |