Bhimsen Joshi's 'Punya Parupkar Paap Te Parpeeda' had a release date set for December 31, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bhimsen Joshi, Kishori Amonkar, Manna Dey's "Gajalele Abhang" album is number 1 out of 4. On top of that, India appears to be the country where this track was created. Based on our statistics, Punya Parupkar Paap Te Parpeeda's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Punya Parupkar Paap Te Parpeeda by Bhimsen Joshi to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hara Hara Sivasambho | Ghantasala, Vaidehi | D♭ Major | 3 | 3B | 67 BPM | ||
| Sharanu Benakane | M. S. Sheela | A♭ Major | 4 | 4B | 163 BPM | ||
| Chal Uth Re Mukunda | Suman Kalyanpur | D Major | 10 | 10B | 138 BPM | ||
| Mrudul Karani Chhedit Taara | Suman Kalyanpur | D♭ Minor | 2 | 12A | 83 BPM | ||
| Ghya Dutt Dutt Naam | Ajeet Kumar Kadkade | G Minor | 5 | 6A | 104 BPM | ||
| Dev Majha Vithu | Vasant Prabhu | A Major | 1 | 11B | 131 BPM | ||
| Guruvaara Munjaane | Ratnamala Prakash | A♭ Major | 3 | 4B | 177 BPM | ||
| Sant Bhar Pandharit - 2012 | Mahesh Kale | D Minor | 7 | 7A | 103 BPM | ||
| Are Kondala Kondala - Bhajan | Chandrashekhar Gadgil, Sharad Niphadkar | G Major | 5 | 9B | 95 BPM | ||
| Kar Ha Kari | Vasantrao Deshpande | E Minor | 6 | 9A | 118 BPM | ||
| Aamhi Jato Apulya Gava | Manna Dey | D♭ Minor | 3 | 12A | 82 BPM | ||
| He Bandh Reshmache | Jitendra Abhisheki | D Major | 1 | 10B | 89 BPM | ||
| Natha Ghari Nache Maza Pandurang | Jitendra Abhisheki | E Minor | 4 | 9A | 85 BPM | ||
| Sonya Motyachi Maal Sukhan Rahu De Majh Kaal Mani | Milind Shinde | F Minor | 7 | 4A | 101 BPM | ||
| Dongarachya Ga Jotibala Javuya Chala | Shakuntala Jadhav | C Major | 6 | 8B | 125 BPM | ||
| Vithal Ha Chitti | Bhimsen Joshi | A♭ Major | 6 | 4B | 103 BPM | ||
| Raya Chala Ghodyavarti Basu | Usha Mangeshkar | B♭ Minor | 3 | 3A | 111 BPM | ||
| Mangala Roopini | P. Susheela | C Minor | 5 | 5A | 92 BPM | ||
| Naam Vitthal Sundar - Studio | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Venunaadapriya | Venkatesh Kumar | F Minor | 6 | 4A | 106 BPM | ||
| Ek Tari Sur Jane | Suman Kalyanpur | G Major | 3 | 9B | 103 BPM | ||
| Sahe Naa Jatona | Kabir Suman | B Major | 3 | 1B | 141 BPM | ||
| Vithalache Paayi | Bhimsen Joshi | E♭ Major | 3 | 5B | 68 BPM | ||
| Balivadh Na Khalnirdalan | Sudhir Phadke | E Minor | 5 | 9A | 104 BPM | ||
| Raga Jogia - 1993 | Traditional, Bhimsen Joshi | A♭ Major | 6 | 4B | 115 BPM |