"Third Terrain" by Rova Saxophone Quartet had its release date on 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "This Time We Are Both". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Third Terrain's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Third Terrain by Rova Saxophone Quartet having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cuernavaca Starlight for Charles Mingus | Rova Saxophone Quartet | G Major | 4 | 9B | 83 BPM | ||
| Langsam | Christian Wallumrød Ensemble | G Major | 1 | 9B | 109 BPM | ||
| Dreignau | Gard Nilssen Acoustic Unity | A♭ Major | 3 | 4B | 172 BPM | ||
| Soundcheck | Vladimir Torres, Damien Groleau | B Minor | 6 | 10A | 72 BPM | ||
| Radar, Version 731 | Rova Saxophone Quartet | G Major | 4 | 9B | 83 BPM | ||
| The Extrapolation of the Inevitable | Rova Saxophone Quartet | E Major | 2 | 12B | 109 BPM | ||
| Black Cherry | William Parker, Hamid Drake | D♭ Major | 5 | 3B | 99 BPM | ||
| dualities | Joe Sanders, Logan Richardson, Seamus Blake, Greg Hutchinson | B Major | 5 | 1B | 97 BPM | ||
| Wee | Charles Mingus, İlhan Mimaroğlu | D Major | 4 | 10B | 113 BPM | ||
| Some Circles - Evanescence Version | Maria Schneider, Maria Schneider Orchestra, Maria Schneider Jazz Orchestra | A Minor | 1 | 8A | 136 BPM | ||
| Poses | Dave Douglas | D♭ Major | 1 | 3B | 101 BPM | ||
| Ulaz | Bojan Z | E Major | 2 | 12B | 100 BPM | ||
| Urlo | Furio Di Castri, Paolo Fresu | A♭ Major | 2 | 4B | 172 BPM | ||
| Always Positive | Walt Dickerson, Richard Davis | D Major | 1 | 10B | 137 BPM | ||
| Dub Ting | AKU! | D♭ Minor | 4 | 12A | 128 BPM | ||
| Modul 44 | Nik Bärtsch | D♭ Major | 4 | 3B | 104 BPM | ||
| Oceanic | Larry Grenadier | F♯ Minor | 1 | 11A | 86 BPM | ||
| Cartoon | Paul Bley Trio | F♯ Minor | 3 | 11A | 89 BPM | ||
| MDD-3/63D (Opus 23C) | Anthony Braxton | F Major | 4 | 7B | 95 BPM | ||
| Baghèt | Gianluigi Trovesi, Paolo Damiani, Gianni Cazzola | C Major | 2 | 8B | 123 BPM | ||
| Life | Laura Jurd | F♯ Major | 7 | 2B | 107 BPM | ||
| Tristan Junk | Shake Stew, JJ Whitefield | A Minor | 2 | 8A | 122 BPM | ||
| The Weapon of Truth | Jessica Williams, Eddie Henderson | D Minor | 1 | 7A | 111 BPM | ||
| Schichtungen 5 | Herr Stabel, Sebastian Deufel | F♯ Major | 1 | 2B | 82 BPM | ||
| I See Myself in Me | Cassie Kinoshi, seed. | A♭ Major | 2 | 4B | 143 BPM |