Howard Riley's 'Eyes Wide Open - Take 2' had a release date set for April 20, 2018. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Eyes Wide Open - Take 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Howard Riley's "Listen to Hear" album is number 6 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Eyes Wide Open - Take 2 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Eyes Wide Open - Take 2 by Howard Riley to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Purple Space - Long Version | Wojtek Mazolewski Quintet, Wojtek Mazolewski | F Minor | 7 | 4A | 90 BPM | ||
| Drum Talk | Phi-Psonics | F Minor | 3 | 4A | 110 BPM | ||
| Taking the Fifth | Elton Dean, Howard Riley, Mark Sanders, Paul Rogers | G Major | 6 | 9B | 89 BPM | ||
| I've Found a New Baby | Franco D'Andrea, Gabriele Evangelista, Roberto Gatto | D♭ Major | 2 | 3B | 125 BPM | ||
| I Love You | Iiro Rantala, Kaisa Mäensivu, Morten Lund | A♭ Major | 4 | 4B | 117 BPM | ||
| Spartacus | Branford Marsalis Quartet | D Minor | 6 | 7A | 128 BPM | ||
| Molgan | Henning Ullén, Mauritz Agnas, Nils Agnas | F♯ Major | 3 | 2B | 138 BPM | ||
| In A Brown Study | Johnathan Blake | D♭ Major | 3 | 3B | 103 BPM | ||
| Airport Poem | Jakob Bro, Thomas Morgan, Jon Christensen | D Minor | 0 | 7A | 159 BPM | ||
| Tin tin deo | Francesca Tandoi | C Major | 6 | 8B | 106 BPM | ||
| Convivial Convocation | Elton Dean, Howard Riley, Paul Rogers, Mark Sanders | F♯ Minor | 4 | 11A | 113 BPM | ||
| I (Suspended Variations) | Tomasz Stanko Quartet | C Major | 2 | 8B | 68 BPM | ||
| Lost And Found | Dave Holland Quintet | E Major | 4 | 12B | 106 BPM | ||
| Enter Music | Antoine Boyer, Yeore Kim | E Minor | 0 | 9A | 101 BPM | ||
| Leap Four | Henning Ullén, Mauritz Agnas, Nils Agnas | B Major | 1 | 1B | 64 BPM | ||
| Chair in the Corner | The Brash | E♭ Minor | 2 | 2A | 179 BPM | ||
| 24 Jazz Preludes, Op. 53: No. 17, Allegretto | Nikolai Kapustin, Ophelia Gordon | F Minor | 3 | 4A | 77 BPM | ||
| Expeditions | Danilo Perez, Bohuslän Big Band, Alberto Pinton, Niclas Rydh | C Major | 2 | 8B | 83 BPM | ||
| Fluency | Howard Riley | E♭ Major | 3 | 5B | 96 BPM | ||
| Llareggub | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| Make Believe | Dave Holland Quintet | B♭ Minor | 1 | 3A | 83 BPM | ||
| Equation - Take 2 | Howard Riley | E♭ Minor | 0 | 2A | 137 BPM | ||
| Song of the United Front | Stéphane Kerecki, Thomas Savy, Enzo Carniel, Fabrice Moreau | D Major | 3 | 10B | 61 BPM | ||
| Feelgood | Howard Riley | C Major | 5 | 8B | 105 BPM | ||
| Bedouin Trail | Dave Holland Quintet | C Major | 0 | 8B | 98 BPM |