"The Word Game" by Bernard Herrmann had its release date on 1964. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Bernard Herrmann's "Marnie (Complete Original Motion Picture Score)" album is number 34 out of 51. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Word Game is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Word Game by Bernard Herrmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Byron And Natalie (Love Theme From "The Winds Of War") | Bob Cobert | C Minor | 3 | 5A | 80 BPM | ||
| Isla (The Sapphic Sleep) | Alejandro Jodorowsky | E♭ Minor | 2 | 2A | 72 BPM | ||
| A. Simpatico B. Misterioso | Howard Shore, Ornette Coleman | A♭ Major | 1 | 4B | 81 BPM | ||
| Sport and Iris | Bernard Herrmann | A Major | 1 | 11B | 113 BPM | ||
| A Beautiful Mine (Mad Men Theme) | David Carbonara | D Minor | 5 | 7A | 172 BPM | ||
| The Bay | Bernard Herrmann | D Minor | 1 | 7A | 75 BPM | ||
| Méditation des enfants | Alain Goraguer | C Minor | 2 | 5A | 124 BPM | ||
| Taxi Driver | Bernard Herrmann | C Major | 3 | 8B | 72 BPM | ||
| The Hand-Off | James Horner | G Major | 1 | 9B | 76 BPM | ||
| Lonely Room | Hollywood Studio Symphony Orchestra, Adolph Deutsch | A♭ Minor | 2 | 1A | 118 BPM | ||
| Night Stalker | André Charlier, Daniel Diaz | E Major | 5 | 12B | 178 BPM | ||
| Eastside Story | Trevor Duncan | F♯ Major | 4 | 2B | 133 BPM | ||
| Gumshoe Blues | Paul Pritchard | F Minor | 2 | 4A | 142 BPM | ||
| The Girl with the Sun in Her Hair | John Barry Orchestra | B♭ Minor | 3 | 3A | 82 BPM | ||
| The Museum - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Miles and Maya | Rolfe Kent | G Minor | 0 | 6A | 65 BPM | ||
| Marlowe's Theme (From "Farewell, My Lovely") | David Shire | F Minor | 2 | 4A | 82 BPM | ||
| COSMOS | SEATBELTS | A♭ Major | 0 | 4B | 69 BPM | ||
| Le cercle rouge | Eric Demarsan | D Minor | 4 | 7A | 119 BPM | ||
| New Beginning, Pt. 1 | Andrew Hale, Simon Hale | A Minor | 2 | 8A | 96 BPM | ||
| Airport Drinks | Vladimir Cosma | G Minor | 5 | 6A | 118 BPM | ||
| What Are You Doing The Rest Of Your Life? | Bill Evans | A Minor | 1 | 8A | 65 BPM | ||
| The Seven Year Itch: The Girl Upstairs - From "The Seven Year Itch" | Alfred Newman, Marilyn Monroe | G Major | 1 | 9B | 68 BPM | ||
| Dance and Angela | Franz Waxman | B♭ Minor | 2 | 3A | 107 BPM | ||
| Proust - Instrumental | Gabriel Yared | D Minor | 0 | 7A | 130 BPM |