On May 27, 2018, the song "Original Miami Vice Theme" was released by Jan Hammer. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jan Hammer's "Miami Vice: Special Edition" album is number 32 out of 32. On top of that, United States appears to be the country where this track was created. In terms of popularity, Original Miami Vice Theme is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Original Miami Vice Theme by Jan Hammer to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opening Theme (From "V: The Final Battle") | San Fernando Symphonic Assembly | G Minor | 6 | 6A | 95 BPM | ||
| Top Gun Anthem (The Intro) - 2016 Composers Cut | Harold Faltermeyer | F Major | 6 | 7B | 110 BPM | ||
| Wake Up Stop Dreaming - From "To Live And Die In L.A." Soundtrack | Wang Chung | D♭ Major | 7 | 3B | 128 BPM | ||
| Bond 77 | Marvin Hamlisch | F Major | 5 | 7B | 122 BPM | ||
| Second Day | Paul Hertzog | F♯ Minor | 10 | 11A | 118 BPM | ||
| Red Dawn: End Title | Czech Philharmonic | B♭ Minor | 0 | 3A | 97 BPM | ||
| Law and Order | Mike Post | C Major | 3 | 8B | 119 BPM | ||
| City Of The Angels - From "To Live And Die In L.A." Soundtrack | Wang Chung | C Major | 6 | 8B | 107 BPM | ||
| A Little Bit More | Yoshiaki Masao, Jan Hammer | D Major | 3 | 10B | 107 BPM | ||
| Drago Suite | Vince DiCola | D Major | 2 | 10B | 182 BPM | ||
| The Strength Of The Righteous (Main Title) | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| Top Gun Theme | The Top Gun | C Major | 3 | 8B | 115 BPM | ||
| Dracko's Sensei | Paul Hertzog | F Minor | 1 | 4A | 122 BPM | ||
| Keys To Eleanor | Trevor Rabin | C Major | 3 | 8B | 84 BPM | ||
| Fred-Board Mix Take 1 (Bonus Track) | Gary Husband, Allan Holdsworth, Jan Hammer, Jimmy Johnson | C Minor | 1 | 5A | 151 BPM | ||
| STARMAN: Starman Leaves (End Title) | San Fernando Symphonic Assembly | C Major | 2 | 8B | 145 BPM | ||
| Millennium Main Title (Long Version) | Mark Snow | E Major | 4 | 12B | 120 BPM | ||
| The Final Escape (Lo Pan's Demise/Getaway) | John Carpenter | D Major | 7 | 10B | 117 BPM | ||
| Magnetic Fields | Jean-Michel Jarre | D♭ Major | 8 | 3B | 193 BPM | ||
| The Ghost and the Darkness | New World Orchestra | C Major | 3 | 8B | 120 BPM | ||
| Like a Dance | Leo Birenberg & Zach Robinson | D Major | 7 | 10B | 118 BPM | ||
| Ein Fall für Zwei | Klaus Doldinger | F Major | 6 | 7B | 173 BPM | ||
| U 96 | Klaus Doldinger | A♭ Major | 3 | 4B | 129 BPM | ||
| Dr Who | Tracy Island | E Major | 2 | 12B | 139 BPM | ||
| Back To The Future Overture | The Outatime Orchestra | B Major | 6 | 1B | 135 BPM |