"Always Be Closing" by Continuum had its release date on September 19, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 11 in Created To Move by Continuum. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Always Be Closing is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Always Be Closing by Continuum is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cancionero Sefardi: Pregoneros van y vienen | Roberto Sierra, Continuum, Cheryl Seltzer, Joel Sachs | B♭ Major | 3 | 6B | 90 BPM | ||
| Agfa Montage | Johnny Klimek, Reinhold Heil | F♯ Major | 1 | 2B | 80 BPM | ||
| Stan And Stella | Alex North | F Major | 1 | 7B | 66 BPM | ||
| Moonlight Magic | Alan Moorhouse | D♭ Major | 1 | 3B | 73 BPM | ||
| 2x3: Armonías de mediodía | Roberto Sierra, Continuum, Cheryl Seltzer, Joel Sachs | E♭ Major | 1 | 5B | 89 BPM | ||
| The Moment Of Truth - From "Fabulous Baker Boys" Soundtrack | Dave Grusin | D Minor | 1 | 7A | 162 BPM | ||
| The Sage | Chico Hamilton Quintet | C Major | 1 | 8B | 83 BPM | ||
| Sonata In C Major BWV1033 | Johann Sebastian Bach, Elizabeth Walker, Continuum | C Major | 0 | 8B | 118 BPM | ||
| Central do Brasil - From "Central do Brasil" | Antonio Pinto, Jaques Morelenbaum | D Minor | 5 | 7A | 155 BPM | ||
| Passado e Presente | Mateus Alves, Tomaz Alves Souza | C Major | 0 | 8B | 86 BPM | ||
| Duo for Violin and Piano | Leon Kirchner, Elizabeth Perry, Joel Sachs, Continuum | G Major | 0 | 9B | 90 BPM | ||
| Malcolm And Martin | The Natural Spiritual Orchestra | C Minor | 0 | 5A | 65 BPM | ||
| Set of 5 Take-offs: The Seen and Unseen? (Sweet and Tough) | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 66 BPM | ||
| Ligeti: Atmosphères | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 1 | 3B | 84 BPM | ||
| Pastorale | Brendan Eder Ensemble | B Major | 3 | 1B | 72 BPM | ||
| Soliloquy, or a Study in 7ths and Other Things | Charles Ives, Victoria Villamil, Joel Sachs, Cheryl Seltzer, Continuum | B♭ Minor | 1 | 3A | 129 BPM | ||
| Before The War | Ryuichi Sakamoto | G Minor | 1 | 6A | 69 BPM | ||
| Subliminal Subplot - Original Mix | Continuum | F♯ Minor | 6 | 11A | 111 BPM | ||
| Amigos em Portugal | The Durutti Column | C Major | 3 | 8B | 112 BPM | ||
| Sem Destino | Leo Gandelman | A Minor | 3 | 8A | 125 BPM | ||
| Homage to Iran: I. Andante rubato | Henry Cowell, Mark Steinberg, Joel Sachs, Cheryl Seltzer, Continuum | A Minor | 0 | 8A | 130 BPM | ||
| I Love You More Than I Can Express | Starry Bay Trio, Gabriel Parker, Piano Marico | D Minor | 1 | 7A | 101 BPM | ||
| Fortune's Child - Instrumental | Nat Adderley | B♭ Minor | 6 | 3A | 98 BPM | ||
| Libro vacio | Senaido | D♭ Minor | 2 | 12A | 81 BPM | ||
| Turner: The Sun Setting Among Dark Clouds | Roberto Sierra, Continuum, Cheryl Seltzer, Joel Sachs | E♭ Major | 1 | 5B | 89 BPM |