"Why Should I Lie" by Julian Brown had its release date on March 29, 2018. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Why Should I Lie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 4 in the song's album "River". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, Why Should I Lie is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Why Should I Lie by Julian Brown having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Garden and the Grave | Covenhoven | C Major | 2 | 8B | 116 BPM | ||
| When We Were Together | Julian Brown | D Major | 1 | 10B | 109 BPM | ||
| Seven Lonely Nights | A. Johanson, Géonne Hartman | B Minor | 4 | 10A | 108 BPM | ||
| Mountain | Renesi | D♭ Minor | 2 | 12A | 64 BPM | ||
| Wild Magic | Elio Moure | D Major | 2 | 10B | 96 BPM | ||
| Morning Light | Jakob Longfield, Finn Prince of Whales | D Major | 2 | 10B | 136 BPM | ||
| Where The Streets Have No Name | horsebread | D Major | 3 | 10B | 80 BPM | ||
| The Tide | Eden Plenty | C Major | 6 | 8B | 142 BPM | ||
| passenger seat | Marigo Bay | D♭ Major | 4 | 3B | 140 BPM | ||
| Hard Goodbye | Hot Left Pole | A Major | 2 | 11B | 120 BPM | ||
| Gold Tongue | Husky Gawenda, Husky | D Major | 2 | 10B | 128 BPM | ||
| Centerline | Border House | G Major | 3 | 9B | 120 BPM | ||
| A Long Long Way to Find (You've Been on My Mind) | Brett Borovic | B Major | 3 | 1B | 150 BPM | ||
| When I Close My Eyes | Julian Brown | D Major | 1 | 10B | 109 BPM | ||
| Manual for Slowly Disappearing | hozmel | D Minor | 2 | 7A | 124 BPM | ||
| Everything Dies | Sennen Bay | D Major | 3 | 10B | 144 BPM | ||
| Where You Go | Red Leaf Hill | F Minor | 2 | 4A | 140 BPM | ||
| Where the Wind Knows Me | Lawrence Timoni | A♭ Major | 5 | 4B | 176 BPM | ||
| Plastic Eyes | Joseph Bones | D Major | 7 | 10B | 205 BPM | ||
| Mr Medicine Man | Christian Wethered | B Minor | 3 | 10A | 104 BPM | ||
| Right Time | Julian Brown | E♭ Major | 2 | 5B | 133 BPM | ||
| Finish Line - Acoustic | Tommy Ashby | E♭ Major | 5 | 5B | 110 BPM | ||
| The Future Is Today | Mungo Parker | D Major | 5 | 10B | 88 BPM | ||
| sky king | Hounds | A♭ Major | 3 | 4B | 149 BPM | ||
| I'm Not The One - Acoustic | Julian Brown | A Major | 2 | 11B | 78 BPM |