"The Twittering Machine" by Joanne Forman had its release date on June 4, 2018. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 12 in Cave Vaults of the Moon by Higher Highs, Akureyri, Joanne Forman. The Twittering Machine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Twittering Machine by Joanne Forman is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Crop Circle | The Golden Islands | G Major | 3 | 9B | 98 BPM | ||
| The Gone Away | Belbury Poly | G Minor | 3 | 6A | 120 BPM | ||
| Gloss | Holland Andrews | E Major | 2 | 12B | 171 BPM | ||
| Current | Ocoeur | G Major | 2 | 9B | 174 BPM | ||
| Still Blue | Olivia Belli, Enrico Belli | F Major | 2 | 7B | 145 BPM | ||
| Reverse Culture Music | Steve Hauschildt | F Minor | 3 | 4A | 183 BPM | ||
| Ody At Sea | Erik Wøllo | C Minor | 1 | 5A | 99 BPM | ||
| The Sentience of Touch | Robert Rich | F♯ Minor | 1 | 11A | 82 BPM | ||
| Path Leading to the High Grass | Biosphere | D Major | 2 | 10B | 70 BPM | ||
| The Unquestioned Answer | Laurie Spiegel | A♭ Major | 0 | 4B | 71 BPM | ||
| Votive | Richard Skelton | G Minor | 3 | 6A | 83 BPM | ||
| Kosmic Headroom | Poulson Sq. | D♭ Major | 3 | 3B | 62 BPM | ||
| You Were Always an Island | Alaskan Tapes | A Major | 1 | 11B | 59 BPM | ||
| Sensi | node: project | A Minor | 1 | 8A | 71 BPM | ||
| Desires Are Already Memories | A Winged Victory for the Sullen, Adam Bryanbaum Wiltzie, Dustin O'Halloran | F♯ Minor | 1 | 11A | 140 BPM | ||
| I. Sequence (Four) | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | D Minor | 3 | 7A | 137 BPM | ||
| Li Sun | Judith Tripp | D Major | 1 | 10B | 175 BPM | ||
| Echo//Radiate | Superposition | C Major | 1 | 8B | 119 BPM | ||
| Zucht 2 | Machinefabriek | B Minor | 0 | 10A | 77 BPM | ||
| Sleep - Arr. for Marimba Quartet | Eric Whitacre, Joby Burgess, Sam Wilson, Calum Huggan, Rob Farrer | C Minor | 0 | 5A | 142 BPM | ||
| Satie: Gymnopédie No. 2 - Anders Bruk Rework | Anders Bruk | F Major | 2 | 7B | 130 BPM | ||
| El-Hadra | Klaus Wiese, Ted De Jong | D Minor | 1 | 7A | 98 BPM | ||
| Everything Is Illuminated | John Foxx | A♭ Minor | 1 | 1A | 89 BPM | ||
| Beloved | Sufy | F♯ Minor | 1 | 11A | 76 BPM | ||
| Why Do I Still Sleep | Popol Vuh | D Minor | 0 | 7A | 69 BPM |