- BPM
- 103
- Key
- D Major
- Camelot
- 10B
Let the Bright Seraphim from Samson, HWV 57 - Voice by George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's Song Details
George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's's 'Let the Bright Seraphim from Samson, HWV 57 - Voice' had a release date set for 1983. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 39 in the song's album "The Essential Wynton Marsalis". In this album, this song's track order is #22. In terms of popularity, Let the Bright Seraphim from Samson, HWV 57 - Voice is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Let the Bright Seraphim from Samson, HWV 57 - Voice by George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 20%
- Loudness
- -21.083 dB
- Acousticness
- 96%
- Danceability
- 52%
- Energy
- 9%
- Instrumentalness
- 17%
- Liveness
- 32%
- Loudness
- 65%
- Speechiness
- 6%
- Valence
- 30%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | |
 | Stanley / Arr. Defaye: 10 Voluntaries, Op. 6: No. 5, Trumpet Tune in D Major | John Stanley, Maurice André, Jane Parker-Smith | D♭ Minor | 1 | 12A | 100 BPM | |
 | Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria) | Johann Adolf Hasse, Regula Mühlemann, La Folia Barockorchester, Robin Peter Müller | F♯ Minor | 3 | 11A | 120 BPM | |
 | L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Leo Nucci, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 97 BPM | |
 | Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | |
 | Stabat Mater, P. 77: 1. Stabat Mater dolorosa | Giovanni Battista Pergolesi, June Anderson, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit | C Minor | 1 | 5A | 82 BPM | |
 | Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro | Tomaso Albinoni, Tine Thing Helseth | B♭ Major | 3 | 6B | 113 BPM | |
 | Messiah, HWV 56: Pifa | George Frideric Handel, Midori Suzuki, Yoshikazu Mera, John Elwes, David Thomas, Bach Collegium Japan, Masaaki Suzuki | D♭ Minor | 1 | 12A | 124 BPM | |
 | Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | |
 | Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis | E♭ Minor | 1 | 2A | 105 BPM | |
 | Die Schöpfung Hob. XXI:2 / Erster Teil: 8. Arie: Nun beut die Flur das frische Grün | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine | B♭ Major | 0 | 6B | 110 BPM | |
 | Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 8. Aria - Sinfonia. Grave (da capo) | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's, John Feeney | D Major | 2 | 10B | 84 BPM | |
 | Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | |
 | Un ballo in maschera / Act 1: "Volta la terrea...Signori: oggi d'Ulrica" | Giuseppe Verdi, Kathleen Battle, Luciano Pavarotti, Alexander Oliver, Renato Bruson, Robert Lloyd, Malcolm King, The London Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 67 BPM | |
 | Trumpet Concerto in D Major: II. Allegro moderato | Leopold Mozart, National Philharmonic Orchestra, Raymond Leppard, Wynton Marsalis | D Major | 3 | 10B | 91 BPM | |
 | Trumpet Concerto in E-Flat Major, S. 49: II. Andante | Johann Nepomuk Hummel, Wynton Marsalis, Raymond Leppard, National Philharmonic Orchestra | A♭ Major | 1 | 4B | 105 BPM | |
 | Rossini: L'italiana in Algeri, Act 2: "Mio signore! Mio marito!" (Elvira, Zulma, Lindoro, Mustafà, Haly, Taddeo, Isabella, Coro) | Gioacchino Rossini, Claudio Scimone, Clara Foti, Domenico Trimarchi, Ernesto Palacio, Kathleen Battle, Marilyn Horne, Nicola Zaccaria, Prague Philharmonic Choir, Samuel Ramey, I Solisti Veneti | B♭ Major | 3 | 6B | 105 BPM | |
 | Trumpet Concerto No. 1 in D Major, MWV 6:32: I. Allegro | Johann Melchior Molter, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 151 BPM | |
 | Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | |
 | Marcello, A.: Oboe Concerto in D Minor: III. Allegro (Arr. for Trumpet in C Minor) | Alessandro Marcello, Alison Balsom, Scottish Ensemble | C Minor | 3 | 5A | 101 BPM | |
 | Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Allegro ("Tornami a vagheggiar" from Opera 'Alcina', HWV 34) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | A Major | 2 | 11B | 103 BPM | |
 | Concerto a cinque No. 2, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 4 | 12A | 116 BPM | |
 | Handel: Oboe Concerto in B-Flat Major, HWV 301: IV. Vivace | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 1 | 6B | 132 BPM | |
 | Concerto in D Major for Three Trumpets and Orchestra: Allegro moderato | Georg Philipp Telemann, Wynton Marsalis, English Chamber Orchestra, Raymond Leppard | D Major | 3 | 10B | 90 BPM | |
 | Ein feste Burg ist unser Gott, BWV 80: Aria. Komm in mein Herzenshaus (Soprano) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | B Minor | 1 | 10A | 174 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records