"Requiem: Pie Jesu" by Karl Jenkins, Polyphony, Stephen Layton had its release date on January 1, 2014. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karl Jenkins, Polyphony, Stephen Layton's "Karl Jenkins: Motets" album is number 11 out of 19. On top of that, Germany appears to be the country where this track was created. Requiem: Pie Jesu is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: Pie Jesu by Karl Jenkins, Polyphony, Stephen Layton to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem: VII. Lacrimosa | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Gavin Horsley, Gary Kettel, Rupert Christie, Timothy Rhys-Evans | B Minor | 1 | 10A | 112 BPM | ||
| Ave Maria | Morten Lauridsen, Polyphony, Stephen Layton | E Major | 1 | 12B | 81 BPM | ||
| Benedictus | Karl Jenkins, The Cello Guys | D Major | 1 | 10B | 84 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Lux aurumque | Eric Whitacre, Polyphony, Stephen Layton | D♭ Minor | 0 | 12A | 69 BPM | ||
| Handel / Arr. Balsom for Trumpet: Ode for the Birthday of Queen Anne, HWV 74: I. Eternal source of light divine | George Frideric Handel, Iestyn Davies, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 112 BPM | ||
| Emily — No Prisoner Be: No. 26, No Prisoner Be | Kevin Puts, Time For Three, Joyce DiDonato, The Young People's Chorus Of New York City, Francisco J. Núñez | D Major | 2 | 10B | 112 BPM | ||
| Os justi, WAB 30 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 80 BPM | ||
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | ||
| Locus Iste | Paul Mealor, VOCES8 | E♭ Major | 0 | 5B | 127 BPM | ||
| Ave verum Corpus | Karl Jenkins, Tamara Mumford, Bryn Terfel, Orchestra at Temple Square, Mack Wilberg, The Tabernacle Choir at Temple Square | B♭ Major | 2 | 6B | 165 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
| Til We Meet Again | Simon Daum | A Major | 2 | 11B | 130 BPM | ||
| Ich bin der Welt abhanden gekommen | Gustav Mahler, The Norwegian Soloists' Choir | E♭ Major | 0 | 5B | 134 BPM | ||
| 3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
| Agnus Dei (After Adagio for Strings, Op. 11) | Samuel Barber, Birmingham Conservatoire Chamber Choir, Paul Spicer | B♭ Minor | 0 | 3A | 90 BPM | ||
| Seek Ye First the Kingdom of God | Kerensa Briggs, Anna Lapwood, The Pembroke College Girls' Choir | E Major | 1 | 12B | 74 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| Ave verum corpus | Wolfgang Amadeus Mozart, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | D Major | 0 | 10B | 77 BPM | ||
| Trinity Te Deum | Ēriks Ešenvalds, The Choir Of Trinity College, Cambridge, Trinity Brass, Stephen Layton | C Minor | 1 | 5A | 176 BPM | ||
| Ubi Caritas | Sjaella | B♭ Minor | 1 | 3A | 82 BPM | ||
| Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
| Morgensang | Niels Wilhelm Gade, Danish National Symphony Choir, Jesper Grove Jørgensen | G Major | 0 | 9B | 132 BPM | ||
| The Peacemakers: IX. Solitude (For Chloë Hanslip) | Karl Jenkins, London Symphony Orchestra, Rundfunkchor Berlin, Chloë Hanslip | A Major | 2 | 11B | 84 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM |