"In the Bleak Midwinter" by Gustav Holst, Jonas Kaufmann, Jochen Rieder, Mozarteum Orchestra Salzburg had its release date on October 29, 2021. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jonas Kaufmann, Jochen Rieder's "It's Christmas!" album is number 30 out of 49. On top of that, United States appears to be the country where this track was created. In the Bleak Midwinter is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In the Bleak Midwinter by Gustav Holst, Jonas Kaufmann, Jochen Rieder, Mozarteum Orchestra Salzburg to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| First Choral Symphony, Op. 41, H. 155, II, Ode on a Grecian Urn: O Attic shape! fair attitude! with brede (Chorus) | Gustav Holst, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus, Sir Andrew Davis | E Minor | 0 | 9A | 115 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | ||
| First Choral Symphony, Op. 41, H. 155, II, Ode on a Grecian Urn: Thou still unravish'd bride of quietness (Chorus) | Gustav Holst, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus, Sir Andrew Davis | F Major | 1 | 7B | 103 BPM | ||
| Tristan und Isolde, Act III: Liebestod (Concert Version) | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 117 BPM | ||
| 8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
| Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
| Bliss: Things to Come: March | Arthur Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
| Snow Falling in Autumn | Chris Pilsner | C Major | 1 | 8B | 140 BPM | ||
| The Sunken Cathedral | Claude Debussy, Alberto Lizzio, Munchner Sinfonie Orchester | C Major | 0 | 8B | 67 BPM | ||
| Toccata - (from Symphonie V Op 42 in F) | Charles-Marie Widor, William McVicker | F Major | 2 | 7B | 66 BPM | ||
| Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Daniel Harding, Bavarian Radio Symphony Orchestra | C Minor | 2 | 5A | 89 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | E Minor | 0 | 9A | 68 BPM | ||
| Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Major | 0 | 10B | 86 BPM | ||
| Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | ||
| Ballade in A minor, Op. 33 | Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 1 | 8A | 82 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Holst : The Planets Op.32 : II Venus, the Bringer of Peace | Giuseppe Verdi, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | F Minor | 0 | 4A | 69 BPM | ||
| Symphony in B Minor (arr. T. Finno for orchestra): Ii. Un poco lento, cantabile | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | E♭ Major | 1 | 5B | 92 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Karelia Suite, Op. 11: II. Ballade. Tempo di menuetto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 1 | 8A | 59 BPM |