G.P. テレマン, ジャパン・ホルン・クァルテット, 山岸博(ホルン), 一色隆雄(ホルン), 久永重明(ホルン), 西條貴人(ホルン)'s ' "協奏曲第2番 ヘ長調 I. Adagio" was released on its scheduled release date, August 24, 2002. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. 協奏曲第2番 ヘ長調 I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in サンク・ヌーヴェル, so we believe that "協奏曲第2番 ヘ長調 I. Adagio" is a single. Based on our statistics, 協奏曲第2番 ヘ長調 I. Adagio's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 協奏曲第2番 ヘ長調 I. Adagio by G.P. テレマン, ジャパン・ホルン・クァルテット, 山岸博(ホルン), 一色隆雄(ホルン), 久永重明(ホルン), 西條貴人(ホルン) is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canzona per Basso Solo (Arr. J. Vitores) | Girolamo Frescobaldi, José Vitores, Klaus Stoll | G Major | 0 | 9B | 108 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Elegia | Edith Sohlström, SRK Musiikki | D Major | 1 | 10B | 177 BPM | ||
| Sonata for Flute and Violin, Op. 51 No. 2: IV. Gigha - Performed on Recorder | Joseph Bodin de Boismortier, Lucie Horsch, Rachel Podger | E♭ Major | 0 | 5B | 72 BPM | ||
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| Fantasia in C Minor: Fantasy in C Minor | Silvius Leopold Weiss, Jakob Lindberg | B♭ Minor | 0 | 3A | 182 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Violin Sonata No. 1: I. (Praeludium) - Presto | Heinrich Ignaz Franz von Biber, Romanesca, Andrew Manze | B♭ Major | 3 | 6B | 128 BPM | ||
| The Red Bean Poem | The Royal Wind Music | E♭ Minor | 0 | 2A | 87 BPM | ||
| Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Euridice, Prologo: Sinfonia a 5 | Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo | F Major | 0 | 7B | 129 BPM | ||
| リコーダー、オーボエと通奏低音のためのトリオ・ソナタ イ短調: IV. Allegro | G.P. テレマン, ラ・フォンテーヌ, 江崎浩司(リコーダー、オーボエ、ファゴット), 三宮正満(オーボエ), 高群輝夫(チェロ), 水永牧子(チェンバロ) | D♭ Major | 1 | 3B | 120 BPM | ||
| Bach, JS: Flute Sonata in E Minor, BWV 1034: IV. Allegro | Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Trevor Pinnock | E Minor | 3 | 9A | 120 BPM | ||
| Oboe Concerto in E Minor, TWV 51:e1: II. Allegro molto | Georg Philipp Telemann, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | B♭ Major | 1 | 6B | 130 BPM | ||
| 8 Violin Sonatas (1681): Sonata No. 1 in A Major , C. 138 | Heinrich Ignaz Franz von Biber, John Holloway | A♭ Major | 3 | 4B | 128 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
| Wenn wir in höchsten nöten sein, BWV 641 - String Quartet | Johann Sebastian Bach, Sybille Hauesser, Didier Lacombe, Laurence Lacombe, Jean-Michel Hequet | E♭ Major | 1 | 5B | 74 BPM | ||
| Welcome to all the Pleasures, Z. 339: I. Overture | Henry Purcell, The Deller Consort, Alfred Deller | E Minor | 1 | 9A | 82 BPM | ||
| 無伴奏フルートのための12のファンタジー より 第4番 変ロ長調 | G.P. テレマン, 栃尾克樹(バリトン・サクソフォン) | D♭ Major | 1 | 3B | 120 BPM | ||
| Sonata for 4 Violins in D Major, TWV 40:202: IV. Allegro | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | D♭ Major | 1 | 3B | 129 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM |