"NW8" by Bernie Marsden had its release date on August 18, 2014. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Shine (Deluxe Edition)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Netherlands. NW8 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With NW8 by Bernie Marsden having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Last Road Out | John Haydock | C Major | 7 | 8B | 126 BPM | ||
| Girl's Got Soul | Will Wilde | A Minor | 9 | 8A | 131 BPM | ||
| The Thrill Is Gone | Laurence Jones | A Major | 9 | 11B | 101 BPM | ||
| Last Train to Chicago | Stoney Curtis Band | E Minor | 9 | 9A | 97 BPM | ||
| Crawlin' Moon | Buddaheads | G Major | 8 | 9B | 87 BPM | ||
| Tomcat Prowl | David Gogo | F Minor | 8 | 4A | 124 BPM | ||
| The One | Supersonic Blues Machine | D Minor | 9 | 7A | 124 BPM | ||
| Little Sister | Hurricane James Blues Project | C Major | 6 | 8B | 83 BPM | ||
| Stackin’ Bones | Billy F Gibbons, Larkin Poe | D Major | 9 | 10B | 151 BPM | ||
| Moonlight | Randy Lee Riviere | G Major | 4 | 9B | 124 BPM | ||
| Dyin' to Know | Joanne Shaw Taylor | A Major | 8 | 11B | 140 BPM | ||
| Holding Back | Laurence Jones | D♭ Minor | 8 | 12A | 127 BPM | ||
| Choo Choo Mama | Sean Chambers | A♭ Major | 10 | 4B | 152 BPM | ||
| Back to You | Devon Allman | G Minor | 7 | 6A | 193 BPM | ||
| Dogshit | Emanuel Casablanca | B Minor | 8 | 10A | 121 BPM | ||
| Lost & Broken | Laurence Jones | D Major | 9 | 10B | 180 BPM | ||
| Makin' Me Live | Rob Tognoni | A♭ Minor | 7 | 1A | 128 BPM | ||
| Outta My Mind | Eric Steckel | B♭ Major | 5 | 6B | 170 BPM | ||
| Midnight Train | Florian-Samuel Spaeth | F♯ Major | 7 | 2B | 95 BPM | ||
| Green Light Blues | Gwyn Ashton | A Major | 7 | 11B | 87 BPM | ||
| New King in Town | Southern Boys Project | D♭ Major | 8 | 3B | 126 BPM | ||
| Ain't No Way I'm Coming Home | Scotty Bratcher | D Major | 9 | 10B | 98 BPM | ||
| Born to Run | Smokey Fingers | A Major | 7 | 11B | 95 BPM | ||
| No More War | Rob Tognoni | E♭ Minor | 7 | 2A | 109 BPM | ||
| Black Cat - Electric Fuel Version | Doc Holliday | C Minor | 7 | 5A | 121 BPM |