On August 9, 2016, the song "Chuwata Ho Raja Chuwata" was released by Radhey Shyam Rasiya, Rekha Rao. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rajesh Gupta's "Ganga Putra (Original Motion Picture Soundtrack)" album is number 3 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Chuwata Ho Raja Chuwata's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chuwata Ho Raja Chuwata by Radhey Shyam Rasiya, Rekha Rao to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| तोड के यारी दुख पारी | Sakir Rupadiya, Asmeena Mewati | F♯ Major | 9 | 2B | 127 BPM | ||
| Phool Khile Taza Taza | Pankaj, Monika | B♭ Minor | 7 | 3A | 127 BPM | ||
| Pagal Bana Dihlu | Radhey Shyam Rasiya | A♭ Minor | 8 | 1A | 84 BPM | ||
| Gangster Of Azamgarh | Piyush Shrivastav, Antra Singh Priyanka | A♭ Major | 9 | 4B | 110 BPM | ||
| Chumawan Siya Raghuvar Ke | Anu Dubey | F Minor | 9 | 4A | 170 BPM | ||
| Kalhe Rahia Me Milal Kachnar Goriya | Udit Narayan | A♭ Major | 8 | 4B | 132 BPM | ||
| Bhola Nachere Kanwaryon Ke Sang | Pt. Ram Avtar Sharma | F Minor | 9 | 4A | 98 BPM | ||
| Samdhin Gadgadaye He | Prem Anand Chauhan, Tijan Patel | F♯ Major | 8 | 2B | 87 BPM | ||
| Le Hath Dhal Talwar | Sunita Swami | C Minor | 9 | 5A | 105 BPM | ||
| Anathak Nath Bhola | Dilip Darbhangiya | C Minor | 10 | 5A | 102 BPM | ||
| Hothwa Choom La | Khesari Lal Yadav, Priyanka Singh | A♭ Major | 8 | 4B | 148 BPM | ||
| Daya Thodi Si Kardo Na | Sonu Bishnoi | F♯ Major | 7 | 2B | 79 BPM | ||
| Main To Chanda Jaisi Naar Bundeli | Deshraj Patairiya, Savita Yadav | A♭ Minor | 10 | 1A | 120 BPM | ||
| Jiya Jiya Ho Bihar Ke Lala | Mohan Rathod | D Major | 7 | 10B | 100 BPM | ||
| Tujhe Or Ki Ab Hone Na Dunga | Arshad Kamli, Naim Sabri | B♭ Minor | 10 | 3A | 93 BPM | ||
| Mobile Wali Chhore - Hindi | Ramdhan Gurjar | D♭ Major | 10 | 3B | 151 BPM | ||
| Haste Haste Rone Laga Hoon | Arshad Kamli | F Minor | 7 | 4A | 146 BPM | ||
| Mira Saiyad Husain | Gulam Sabir | A♭ Minor | 10 | 1A | 165 BPM | ||
| Mola Maran De | Vivek Sharma | B♭ Minor | 9 | 3A | 152 BPM | ||
| Dress Tohar Farji | Rajesh Rajnish | A Major | 10 | 11B | 98 BPM | ||
| Rahul Singer SR 0047 | Rahul Singer Mewati | A♭ Minor | 9 | 1A | 130 BPM | ||
| Mola Bana Le Re Sonpapdi | Dani Verma, Kanchan Joshi | F♯ Minor | 9 | 11A | 150 BPM | ||
| Chadhal Jawani More FM Hauve - From "Tu Hi To Meri Jaan Hain Radha" | Mamta Rawat, Raja Rai, Rajesh Rajnish | F♯ Minor | 10 | 11A | 100 BPM | ||
| Ae Raja | Shilpi Raj, Dinesh Lal Yadav | A♭ Minor | 10 | 1A | 134 BPM | ||
| Baate Hamar Albela Paan | Purnima, Radhey Shyam Rasiya | A♭ Major | 6 | 4B | 132 BPM |