Calum Martin's 'O Mhàiri, e Mhàiri' had a release date set for April 5, 2019. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Calum Martin's "Imrich" album is number 8 out of 12. In terms of popularity, O Mhàiri, e Mhàiri is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of O Mhàiri, e Mhàiri by Calum Martin to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM | ||
| The Mist: Pt. 3 | Frans Bak, Mari Samuelsen, Hakon Samuelsen, Keld Haaning Ibsen, TrondheimSolistene | A♭ Major | 0 | 4B | 67 BPM | ||
| Horizons, Pt. 1 | Rura | E♭ Major | 1 | 5B | 82 BPM | ||
| Nocturne I | Jane Antonia Cornish, Decoda | G Minor | 1 | 6A | 85 BPM | ||
| My Heart Beats Faster | Nathan Blake | B♭ Major | 3 | 6B | 147 BPM | ||
| Blue Lightning | John Lunn | E Minor | 3 | 9A | 99 BPM | ||
| Glen Cuach | Charlie Grey and Joseph Peach | B♭ Major | 3 | 6B | 125 BPM | ||
| The First Signs | Julia Kent, Hoshiko Yamane, Library Tapes | G Major | 2 | 9B | 82 BPM | ||
| And the Swallow (Arr. J. Azkoul for String Orchestra) | Joanna Marsh, United Strings of Europe, Julian Azkoul | B Minor | 0 | 10A | 146 BPM | ||
| Nisha | Patrick Dexter | F Major | 4 | 7B | 76 BPM | ||
| Lament for Eoin Rua - Caislean an or | Kieran Fahy, Noel Harris | D Minor | 2 | 7A | 82 BPM | ||
| Comptine d’un autre été, l'après-Midi - Arr. for Violin, Harp & Orchestra by David Le Page | Orchestra of the Swan, David le Page, Eleanor Turner | E Minor | 1 | 9A | 93 BPM | ||
| Port Sadbh | Martin Hayes Quartet | B Minor | 7 | 10A | 128 BPM | ||
| A | Thomas Farnon | G Minor | 2 | 6A | 50 BPM | ||
| The Arctic Suite: V. Polar Winds | Jacob Shea, Eldbjørg Hemsing, Arctic Philharmonic | A Minor | 2 | 8A | 147 BPM | ||
| Impressions from Sälshög, 1st movement (instrumental) | Annasara Lundgren, annasara | B♭ Minor | 2 | 3A | 204 BPM | ||
| Eva's Lament | Valgeir Sigurðsson | E♭ Major | 1 | 5B | 61 BPM | ||
| A Study in Scarlet | Colm Mac Con Iomaire | G Minor | 2 | 6A | 148 BPM | ||
| Ae Fond Kiss | Trad. arr. Mhairi Hall, Mhairi Hall | E Minor | 0 | 9A | 101 BPM | ||
| Find Faith | Amelia Warner | D Major | 2 | 10B | 57 BPM | ||
| Marelle | Craig Armstrong, Guy Garvey, Cecilia Weston | D♭ Major | 1 | 3B | 62 BPM | ||
| Largo Introspectivo | Darker In Vine | G Major | 1 | 9B | 86 BPM | ||
| We Thought We Knew | Caoimhín Ó Raghallaigh, Thomas Bartlett | G Major | 2 | 9B | 174 BPM | ||
| Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
| Maghera Mountain | Martin Hayes, Brooklyn Rider | D Minor | 3 | 7A | 89 BPM |