"Like They Promised" by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie had its release date on August 26, 2008. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 49 in the song's album "The Grapes of Wrath (World Premiere Recording)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Like They Promised is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Like They Promised by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | D♭ Minor | 1 | 12A | 76 BPM | ||
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | ||
| Carmen / Act 3: Trio: "Mêlons! Coupons!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 114 BPM | ||
| Jolivet: Poèmes intimes: No. 4, Tu dors | André Jolivet, Alain Lombard, Colette Herzog, Orchestre Philharmonique De Strasbourg | D Major | 5 | 10B | 170 BPM | ||
| Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
| Simon Boccanegra / Act 1: (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Major | 1 | 10B | 65 BPM | ||
| Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM | ||
| Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Towards the Pinnacle, Poem for Soprano & Orchestra, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Emilia Petrescu | D Major | 6 | 10B | 110 BPM | ||
| Iolanta Op. 69: "Moj ptenchik, Iolanta" | Pyotr Ilyich Tchaikovsky, Larissa Diadkova, Galina Gorchakova, Tatiana Krastsova, Olga Korzhenskaya, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | F Minor | 2 | 4A | 86 BPM | ||
| Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | D♭ Minor | 1 | 12A | 76 BPM | ||
| Little Dead Moses | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | B Minor | 4 | 10A | 82 BPM | ||
| Puccini: Tosca, Act 1 Scene 6: "È buona la mia Tosca" (Cavaradossi, Angelotti, Sagrestano, Chorus) | Giacomo Puccini, Carlo Bergonzi, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| Macbeth / Act IV: Ella è morta! | Giuseppe Verdi, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | F Major | 1 | 7B | 133 BPM | ||
| La Gioconda / Act 1: Voce di donna ... a te questo rosario | Amilcare Ponchielli, Alfreda Hodgson, Montserrat Caballé, Agnes Baltsa, Regolo Romani, John del Carlo, Nicolai Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 1 | 5B | 89 BPM | ||
| Marie Galante: J'attends un navire (Arr. for Voice, Double Bass, Piano & Accordion by Katie Bray, Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, Katie Bray, William Vann, Murray Grainger, Marianne Schofield | D♭ Minor | 1 | 12A | 76 BPM | ||
| Floyd: Susannah, Act 2 Scene 3: "The trees on the mountains are cold" (Susannah) | Carlisle Floyd, Kate Royal, Edward Gardner, English National Opera Orchestra | G Minor | 1 | 6A | 65 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 3, My work is done (Angel) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Jamie Barton | D Major | 2 | 10B | 86 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Carmen / Act 1: "La cloche a sonné" | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | G Major | 1 | 9B | 98 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (a) "Me voici! … Non" (Méphistophélès, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |