Alfred Reed, 武蔵野音楽大学ウィンドアンサンブル's '吹奏楽のための第2組曲:I. ソンモントューノ' had a release date set for 1974. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. 吹奏楽のための第2組曲:I. ソンモントューノ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in アルフレッド・リードの芸術, so we believe that "吹奏楽のための第2組曲:I. ソンモントューノ" is a single. Based on our statistics, 吹奏楽のための第2組曲:I. ソンモントューノ's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 吹奏楽のための第2組曲:I. ソンモントューノ by Alfred Reed, 武蔵野音楽大学ウィンドアンサンブル is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Second Suite for Military Band, Op. 28 No. 2: III. Song of the Blacksmith | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | D Minor | 2 | 7A | 103 BPM | ||
| Suite of Old American Dances: II. Schottische | Robert Russell Bennett, Lone Star Wind Orchestra, Eugene Migliaro Corporon | E♭ Major | 0 | 5B | 118 BPM | ||
| Tuba Concerto in F Minor: III. Finale. Rondo alla tedesca | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | F Major | 2 | 7B | 76 BPM | ||
| Summer Dances | Brian Balmages, Westbrook Intermediate School Band 3C Honor Band, Rick Brockway | B♭ Minor | 1 | 3A | 79 BPM | ||
| Machu Picchu - City In The Sky | Rekrutenspiele Schweizer Militärmusik & Hptm Max Schenk | G Major | 3 | 9B | 82 BPM | ||
| Festival Variations | Claude T. Smith, The United States Air Force Academy Band, Arnald D. Gabriel | G Minor | 4 | 6A | 105 BPM | ||
| Entry March of the Boyars | US Military Academy Concert Band | G Minor | 4 | 6A | 107 BPM | ||
| II. Song Without Words: "I'll Love My Love"; Andante (Second Suite in F for Military Band) | Air Combat Command Heritage Of America Band | C Minor | 0 | 5A | 73 BPM | ||
| 交響曲第3番 作品89 第4楽章:フィナーレ/アレグロ・ジョコーソ | James Barnes, Osaka Shi Ongakudan | D♭ Major | 0 | 3B | 88 BPM | ||
| The Hounds of Spring | Alfred Reed, Tokai University Takanawadai Senior High School Wind Orchestra, Hiroyuki Kayo | B♭ Major | 1 | 6B | 151 BPM | ||
| Where Eagles Sing | Paul Lovatt-Cooper, Brass Band Treize Etoiles, James Gourlay | F Major | 4 | 7B | 78 BPM | ||
| Symphonic Variants: I. Allegro con brio | James Curnow, Bastien Baumet, Paris Wind Ensemble | C Minor | 2 | 5A | 136 BPM | ||
| Symphony No. 7: III. Very Fast | David Maslanka, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 4 | 10B | 89 BPM | ||
| Italian Rhapsody | Julie Giroux, United States Army Field Band, Arnald D. Gabriel | B♭ Major | 3 | 6B | 141 BPM | ||
| Greek Folk Song Suite, Op. 25: III. Vasiliokos tha jino | Franco Cesarini, Messiah College Symphonic Winds, Bradley Genevro | F Major | 4 | 7B | 73 BPM | ||
| Gulliver's Travels - The Houyhnms - Land of the Horses - Bert Appermont | Harmonie De Charlesbourg, François Dorion | F Major | 3 | 7B | 80 BPM | ||
| Shenandoah | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | E♭ Major | 0 | 5B | 84 BPM | ||
| The Wind in the Willows: III. Mister Toad | Johan de Meij, Danish Concert Band | F Major | 1 | 7B | 77 BPM | ||
| Romeo and Juliet, Op. 64, Act II: No. 24, Dance of the Five Couples | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 2 | 7B | 76 BPM | ||
| Brillante | Peter Graham, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | B♭ Major | 1 | 6B | 111 BPM | ||
| An Original Suite: II. Intermezzo | Gordon Jacob, Eugene Migliaro Corporon, North Texas Wind Symphony | A Minor | 1 | 8A | 70 BPM | ||
| Lincolnshire Posy: V. Lord Melbourne | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Wizard of Oz Overture (After H. Arlen) | James Barnes, University of Texas at El Paso Wind Symphony, Ron Hufstader | B♭ Major | 2 | 6B | 123 BPM | ||
| Illumination | David Maslanka, Utah Wind Symphony, Scott Hagen | D♭ Major | 2 | 3B | 87 BPM | ||
| Fascination Fanfare - Symphonic Version | Otto M. Schwarz, Military Band of Lower Austria & Colonel Adi Obendrauf | B♭ Major | 5 | 6B | 120 BPM |