Lisa O'Neill's 'Come Sit Sing' had a release date set for January 31, 2014. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Same Cloth or Not". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Come Sit Sing's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come Sit Sing by Lisa O'Neill having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Son Tim | John Francis Flynn | C Major | 4 | 8B | 204 BPM | ||
| Copper Kettle | Nora Brown, Stephanie Coleman | F Major | 1 | 7B | 78 BPM | ||
| These Days | Muireann Bradley | E Major | 3 | 12B | 96 BPM | ||
| The Trees They Grow Tall | Landless | F♯ Major | 0 | 2B | 113 BPM | ||
| Train Dreams | Nick Cave | A♭ Major | 2 | 4B | 102 BPM | ||
| Raising the Dead | Johnny Flynn | E Major | 5 | 12B | 107 BPM | ||
| Barbara Allen | Shirley Collins | F Major | 1 | 7B | 116 BPM | ||
| Miss Me When I'm Gone | Mick Flannery, Susan O'Neill | A♭ Minor | 3 | 1A | 166 BPM | ||
| Blue & Gold | Madra Salach | D Major | 4 | 10B | 112 BPM | ||
| Bushes and Briars | Sam Lee | E♭ Major | 0 | 5B | 80 BPM | ||
| Coins for the Eyes: 3/4 | Johnny Flynn, Robert Macfarlane | C Major | 3 | 8B | 174 BPM | ||
| John Barleycorn | Sam Lee | D♭ Major | 3 | 3B | 89 BPM | ||
| No Summer | Cinder Well | B Major | 1 | 1B | 82 BPM | ||
| As I Roved Out | Lisa O'Neill | A♭ Major | 1 | 4B | 90 BPM | ||
| Fire Light | Salt House | A♭ Major | 2 | 4B | 122 BPM | ||
| Paddy's Lamentation | Linda Thompson | B Major | 3 | 1B | 96 BPM | ||
| The Curlew's cry | Barry Kerr | G Major | 2 | 9B | 141 BPM | ||
| I Leave You Gone | David Keenan | C Major | 1 | 8B | 123 BPM | ||
| Lullaby of London | Lisa O'Neill | G Major | 2 | 9B | 64 BPM | ||
| Siccar Point | Karine Polwart, Dave Milligan | B♭ Major | 0 | 6B | 80 BPM | ||
| Everything Is Free | Gillian Welch | C Major | 1 | 8B | 102 BPM | ||
| The Morning is Wiser than The Evening | Merlyn Driver | B♭ Major | 1 | 6B | 121 BPM | ||
| Blackwater Side | Anne Briggs | G Major | 0 | 9B | 186 BPM | ||
| Green Grows the Laurel | Varo, John Francis Flynn | F Major | 2 | 7B | 141 BPM | ||
| Our Socks Forever More | This Is The Kit | C Major | 1 | 8B | 166 BPM |