"Symphonic Suite For Chorus And Orchestra - Part I - Version Two" by Georges Delerue had its release date on January 1, 1985. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 12 in Agnes Of God (Original Motion Picture Soundtrack) by Georges Delerue. Symphonic Suite For Chorus And Orchestra - Part I - Version Two is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonic Suite For Chorus And Orchestra - Part I - Version Two by Georges Delerue is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last of the Dogmen | Last Of The Dogmen | C Major | 2 | 8B | 82 BPM | ||
| Delerue: Day for Night: Chorale | Georges Delerue, Hugh Wolff, London Sinfonietta | F Major | 1 | 7B | 147 BPM | ||
| Getting Used to It | Rael Jones, Anthony Weeden | A Minor | 0 | 8A | 130 BPM | ||
| Jessie and Norman | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Sandoval's Choice | Emilio Kauderer, Federico Jusid | F Major | 2 | 7B | 71 BPM | ||
| Juliet's Theme | Debbie Wiseman | C Major | 1 | 8B | 95 BPM | ||
| Viniendo De Lejos | Las Guerreras | F♯ Minor | 3 | 11A | 169 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| Hungry Celesta | Nicola Piovani | G Major | 0 | 9B | 71 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Suite - From "Steel Magnolias" | Georges Delerue | D Major | 1 | 10B | 180 BPM | ||
| The Promise of Things to Come | Jan A.P. Kaczmarek | C Major | 4 | 8B | 87 BPM | ||
| Fantasias Irrechazables | Sirenas Celestiales | F Minor | 1 | 4A | 76 BPM | ||
| Flood | Debbie Wiseman | G Major | 1 | 9B | 79 BPM | ||
| La rupture chez les Prokoch - Bande originale du film 'Le mépris' | Georges Delerue | F♯ Minor | 2 | 11A | 76 BPM | ||
| Seretse and Ruth | Patrick Doyle | D♭ Minor | 2 | 12A | 59 BPM | ||
| Confianza Digna | Las Guerreras | A Major | 1 | 11B | 60 BPM | ||
| Main Title - From "A Little Romance" | Georges Delerue | D Major | 3 | 10B | 87 BPM | ||
| Control | Niclas Moan, Nocilla | F Minor | 2 | 4A | 69 BPM | ||
| The White House | Joseph Vitarelli | E♭ Major | 2 | 5B | 76 BPM | ||
| Jane e Rochester | Claudio Capponi, Alessio Vlad | G Major | 1 | 9B | 68 BPM | ||
| Breath of the Silent Valley | Francesco Paolo Filosa, FPF Project | D Minor | 0 | 7A | 76 BPM | ||
| La Soledad de un Rey | Federico Jusid, Orquesta Sinfónica de Budapest Eastconnection | G Minor | 1 | 6A | 81 BPM | ||
| Ada Plays | Gabriel Yared | D Major | 0 | 10B | 79 BPM |