"Emperors Return" by George Fenton, BBC Concert Orchestra had its release date on 2012. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 27 out of 32 in Frozen Planet by George Fenton, BBC Concert Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Emperors Return is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Emperors Return by George Fenton, BBC Concert Orchestra is Presto (very, very fast), since this song has a tempo of 188 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dragon Heaven | Mark McKenzie | C Major | 0 | 8B | 73 BPM | ||
| Through the Tree | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 100 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| If I Wanted To Call You | Hans Zimmer | E Minor | 1 | 9A | 110 BPM | ||
| Across The Sea | Alexandra Harwood | C Major | 3 | 8B | 119 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM | ||
| The Homecoming | George Fenton | C Major | 1 | 8B | 107 BPM | ||
| Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM | ||
| Daniel and the Kids | Howard Shore | C Major | 1 | 8B | 120 BPM | ||
| To All The Ships At Sea | Gabriel Yared | D Minor | 2 | 7A | 82 BPM | ||
| Valse Moderne | John Leach, George Fenton | D Major | 3 | 10B | 114 BPM | ||
| In Viola's Room - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 1 | 9A | 89 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| Viola's Audition - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | E Minor | 1 | 9A | 74 BPM | ||
| A Walk in the Clouds | Maurice Jarre | A Major | 1 | 11B | 130 BPM | ||
| Dancing Lessons | Daniel Pemberton | C Major | 5 | 8B | 78 BPM | ||
| The Beach and the Past | Stephen Warbeck | G Minor | 1 | 6A | 70 BPM | ||
| Elizabeth's Dance | Guy Farley | F Major | 2 | 7B | 97 BPM | ||
| Adaline Bowman | Rob Simonsen | E Minor | 1 | 9A | 79 BPM | ||
| Lucky Day | Rael Jones | D Major | 5 | 10B | 104 BPM |