The Future (Ain't What It Used to Be) - Live at Jc Staddijk, the Netherlands, 1991
Leeway
Desperate Measures
7:35 December 1, 2015
BPM
123
Key
A Major
Camelot
11B

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The Future (Ain't What It Used to Be) - Live at Jc Staddijk, the Netherlands, 1991 by Leeway Song Details

"The Future (Ain't What It Used to Be) - Live at Jc Staddijk, the Netherlands, 1991" by Leeway had its release date on December 1, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 18 in Desperate Measures by Leeway. Based on our statistics, The Future (Ain't What It Used to Be) - Live at Jc Staddijk, the Netherlands, 1991's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of The Future (Ain't What It Used to Be) - Live at Jc Staddijk, the Netherlands, 1991 by Leeway is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-3.017 dB
Acousticness
2%
Danceability
44%
Energy
99%
Instrumentalness
0%
Liveness
16%
Loudness
95%
Speechiness
20%
Valence
7%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records