Protected Left's 'At Least I Didn't Cut My Ear Off' had a release date set for December 15, 2012. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. At Least I Didn't Cut My Ear Off's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Posterity's Sake". In this album, this song's track order is #6. In terms of popularity, At Least I Didn't Cut My Ear Off is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With At Least I Didn't Cut My Ear Off by Protected Left having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Swell | Protected Left | A Minor | 9 | 8A | 101 BPM | ||
| Homecoming | Much The Same | B Major | 10 | 1B | 105 BPM | ||
| Chasing Lightning | Limits of Approach | G Major | 10 | 9B | 110 BPM | ||
| What Would Cliff Burton Do? | Consumed | D♭ Minor | 10 | 12A | 156 BPM | ||
| Rewind Speech | Garage Fuzz | C Major | 10 | 8B | 146 BPM | ||
| Post-Ironic Sinkhole | We Are The Union | B Major | 7 | 1B | 107 BPM | ||
| The Usurper | Satanic Surfers | D Major | 10 | 10B | 182 BPM | ||
| Fertile Fields | Good Riddance | B Minor | 9 | 10A | 111 BPM | ||
| Three to the Beach | Dear Landlord | B Major | 10 | 1B | 157 BPM | ||
| Fourteen Fifty-Nine | Face To Face | A Major | 10 | 11B | 155 BPM | ||
| Evolution | Pour Habit | D♭ Major | 10 | 3B | 195 BPM | ||
| Can't Take Them All | This Is A Standoff | A♭ Major | 10 | 4B | 162 BPM | ||
| Legacy of the 7 Plies | Cigar | B Minor | 5 | 10A | 141 BPM | ||
| Our Distance | Comeback Kid | F♯ Minor | 10 | 11A | 107 BPM | ||
| Night Letters | Propagandhi | C Minor | 10 | 5A | 140 BPM | ||
| Blinding Lights | Punk Rock Factory | B♭ Minor | 10 | 3A | 180 BPM | ||
| Nervous | PEARS | E Major | 10 | 12B | 160 BPM | ||
| Don't Sound The Alarm | Vision | D Major | 10 | 10B | 194 BPM | ||
| Superman Is Dead | Superman Is Dead | A Major | 10 | 11B | 90 BPM | ||
| Don't Drive Angry | Iron Chic | A Major | 10 | 11B | 185 BPM | ||
| Eddie Came Downstairs | Steve and the Not Steves | C Minor | 10 | 5A | 169 BPM | ||
| Dead Hordes | DARKO | D♭ Major | 10 | 3B | 112 BPM | ||
| Fermented and Flailing | NOFX | D Major | 10 | 10B | 98 BPM | ||
| Shelter - Taylor's Version | Ten Foot Pole | A♭ Major | 10 | 4B | 107 BPM | ||
| We're Really Doing It | This Is A Standoff | B Minor | 10 | 10A | 135 BPM |