Raffaele Bellafronte, Patrick De Ritis, Davide Di Ienno's ' "Suite No. 1: I. Preludio" was released on its scheduled release date, September 4, 2015. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in Bellafronte: Guitar Works by Raffaele Bellafronte, Davide Di Ienno. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Suite No. 1: I. Preludio's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite No. 1: I. Preludio by Raffaele Bellafronte, Patrick De Ritis, Davide Di Ienno is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Could We Start Again: Jesus Christ Suprestar | Prague Cello Quartet | D Major | 1 | 10B | 63 BPM | ||
| Etude No. 6 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 17) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | G Major | 0 | 9B | 126 BPM | ||
| Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson, Daniel de Borah | A Major | 0 | 11B | 69 BPM | ||
| 3 Songs, Op. 7, No. 1. Après un rêve: 3 Songs, Op. 7: No. 1, Après un rêve (Arr. For cello and piano) | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | A♭ Major | 1 | 4B | 91 BPM | ||
| Suite No. 1 for Cello and Guitar: III. Romantico | Raffaele Bellafronte, Vito Paternoster, Marco Salcito | A Major | 1 | 11B | 133 BPM | ||
| Cui: Kaléidoscope, Op. 50: No. 9, Orientale | César Cui, Herbert Downes, John C. Williams | D Major | 0 | 10B | 83 BPM | ||
| Guitar Sonata No.3: II. Chanson: Andantino molto espressivo | Manuel Ponce, Shiri Coneh | D Minor | 1 | 7A | 119 BPM | ||
| Kürdili Hicazkar Longa | Giora Feidman Sextett, Giora Feidman | G Minor | 0 | 6A | 85 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Siete canciones populares españolas: IV. jota | Manuel de Falla, Ophélie Gaillard, David Chupete, Emmanuel Rossfelder | E Major | 3 | 12B | 89 BPM | ||
| Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | D Major | 0 | 10B | 76 BPM | ||
| Debussy: Cello Sonata in D Minor, CD 144, L. 135: I. Prologue. Lent - Sostenuto e molto risoluto | Claude Debussy, Daniel Müller-Schott, Robert Kulek | D Minor | 0 | 7A | 131 BPM | ||
| Homenaje a Antonio de Cabezon: III. Glosa | Antonio Ruiz Pipó, Wolfgang Weigel | G Major | 0 | 9B | 124 BPM | ||
| Kōjō no Tsuki | Sylvain Millepied, Maia Darme | A Minor | 0 | 8A | 90 BPM | ||
| Suite No. 1 for Cello & Guitar: IV. Tango | Raffaele Bellafronte, Duo Escualo | D Major | 0 | 10B | 76 BPM | ||
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| The Lark | Mikhail Glinka, Dmitri Ferschtman, Mila Baslawskaja | E Minor | 1 | 9A | 92 BPM | ||
| Falla / Arr Llobet / Pujol: 7 Canciones populares Españolas: III. Asturiana | Manuel de Falla, Thibaut García, Edgar Moreau | F♯ Minor | 0 | 11A | 49 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Mélancolie, Op. 23 (Version for 2 Guitars) | José Ferrer, Jørgen Skogmo, Jens Franke | E Major | 0 | 12B | 84 BPM | ||
| Infinite Echoes | Astrid Voix | D Major | 0 | 10B | 76 BPM | ||
| Scarlatti: Sonata in A Major, K 208 | Domenico Scarlatti, Lavinia Meijer | D Major | 0 | 10B | 76 BPM | ||
| Four Seasons of Buenos Aires: IV. Invierno Porteño | Devich Trio | E♭ Major | 1 | 5B | 103 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM |