Briz Sukhia, Baljinder Rimpy's ' "Sat Din Mere Nanda Ch" was released on its scheduled release date, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Briz Sukhia, Baljinder Rimpy's "Jija Katt De Riban" album is number 3 out of 8. On top of that, India appears to be the country where this track was created. Sat Din Mere Nanda Ch is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sat Din Mere Nanda Ch by Briz Sukhia, Baljinder Rimpy to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kala Naag | Jagga Safri, Paramjoti | F♯ Minor | 6 | 11A | 95 BPM | ||
| Saadi Yaad Vairne | Major Rajasthani | F♯ Major | 4 | 2B | 138 BPM | ||
| Dila Meria | Kamal Heer | E♭ Minor | 9 | 2A | 168 BPM | ||
| Godi Lal Khanda Dau | Sarabjit Bugga, Manpreet Randhawa | A♭ Major | 6 | 4B | 161 BPM | ||
| Gal Mukk Gayi | Gurbaksh Shonki | D♭ Major | 8 | 3B | 75 BPM | ||
| Jand Pave Lahnta | Kuldip Manak | E♭ Minor | 6 | 2A | 80 BPM | ||
| Jaam Vi Paye Hin | Ahmad Nawaz Cheena | B♭ Minor | 8 | 3A | 83 BPM | ||
| Singilikoru | Punniyar | F Minor | 6 | 4A | 81 BPM | ||
| Mera Ki Ranjhna Kasoor Ve | Hakam Bakhtarwala, Daljeet Kaur | A♭ Minor | 9 | 1A | 169 BPM | ||
| Dil Kadhke Pairaan Ch Tere | Mohd. Sadiq, Ranjit Kaur | E Minor | 8 | 9A | 126 BPM | ||
| Kinna Ku Kardi Yaad | Sardool Sikander | B Major | 3 | 1B | 153 BPM | ||
| Kade Bombay Kade Gauhati | Amrit Virk | F Minor | 9 | 4A | 90 BPM | ||
| Purja Pakistani | Bagga Safri, Kiran Jyoti | D♭ Major | 6 | 3B | 106 BPM | ||
| Jaffi Jatt Di | Amarjit Nagina, Bibi Kiranjyoti | A♭ Major | 8 | 4B | 89 BPM | ||
| Akali Ton Banju Congresi | Amrik Toofan, Harjit Mattu | D♭ Major | 6 | 3B | 82 BPM | ||
| Ajkal Terian Nazraan | Harbhajan Shera | D♭ Major | 10 | 3B | 94 BPM | ||
| Pai K Wass Begane | Hardev Mahinangal | G Minor | 5 | 6A | 82 BPM | ||
| Sai Laddi Shah Ji | Murad Shah | Qawali | DK darvesh | DK Darvesh | F♯ Minor | 6 | 11A | 84 BPM | ||
| Sas Chandri Mari To | Kartar Ramla, Manjeet Kaur, Sanjeev-Santosh, Albel Brar | D♭ Major | 9 | 3B | 157 BPM | ||
| Jattan Ne Peeni Daaru | Raj Barar, Kamaljit Neeru, Sabar Koti, Satwinder Bugga, Harbhajan Mann, Manpreet Akhtar | D♭ Major | 6 | 3B | 97 BPM | ||
| Nagar Keertan | Satwinder Bitti | D♭ Major | 6 | 3B | 110 BPM | ||
| Gabroo Kubza Kar Luga | Amrik Toofan, Harjit Mattu | A♭ Major | 8 | 4B | 96 BPM | ||
| Holi | Lakhbir Singh Lakkha | A♭ Minor | 5 | 1A | 117 BPM | ||
| Haye Haye Chachi Tarhka | Gurdas Maan | B♭ Minor | 7 | 3A | 83 BPM | ||
| Manji Dah Ke Beh Geya | Muhammad Sadiq, Ranjit Kaur | F Minor | 7 | 4A | 125 BPM |