Psalm 38 "Put Me Not to Rebuke" by Joseph Barnby, Liverpool Cathedral Choir, Ian Tracey, David Poulter Song Details

"Psalm 38 "Put Me Not to Rebuke"" by Joseph Barnby, Liverpool Cathedral Choir, Ian Tracey, David Poulter had its release date on January 15, 2021. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. There are a total of 13 in the song's album "The Complete Psalms of David, Series 2, Vol. 3". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Psalm 38 "Put Me Not to Rebuke"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Psalm 38 "Put Me Not to Rebuke" by Joseph Barnby, Liverpool Cathedral Choir, Ian Tracey, David Poulter having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -35.959 dB
Acousticness: 93%
Danceability: 17%
Energy: 0%
Instrumentalness: 97%
Liveness: 9%
Loudness: 40%
Speechiness: 4%
Valence: 15%

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