Deep Shrestha's ' "Kshitizko Aglai" was released on its scheduled release date, March 23, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 9 in Dristi by Deep Shrestha. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Kshitizko Aglai's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kshitizko Aglai by Deep Shrestha is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Na Boleni Hasirakhana | Deepak Limbu | F Major | 5 | 7B | 156 BPM | ||
| Chhin Chhin Ma Hasna | Uday Sotang | A Major | 6 | 11B | 146 BPM | ||
| Pahilo Pahilo Maya Male | Dipak Limbu | A Major | 9 | 11B | 119 BPM | ||
| Sampati Diye | Hari Lamsal, Dr. Rajubabu Shrestha, Deep Shrestha | C Major | 5 | 8B | 156 BPM | ||
| Jeevan Aakhir | Deep Shrestha | D Major | 5 | 10B | 146 BPM | ||
| Wa Chhu Galli | Prem Dhoj Pradhan | G Major | 3 | 9B | 80 BPM | ||
| Pagal Ma Banna Sakchhu Male | Swaroop Raj Acharya | D Major | 7 | 10B | 140 BPM | ||
| Pohor Saal | Tara Devi | B Major | 4 | 1B | 128 BPM | ||
| Marna Baru Garho Hunna | Phatteman | C Major | 4 | 8B | 133 BPM | ||
| Mor Gaan Haok | Bhupen Hazarika | C Minor | 5 | 5A | 112 BPM | ||
| Tin Pate | Nirala Tamang | A Minor | 5 | 8A | 93 BPM | ||
| Jala Udera Mero Jale Rumala | Hemant Sharma | F♯ Major | 8 | 2B | 134 BPM | ||
| Maile Chhoye Ko Pani Chaldaina | Yash Kumar | B Minor | 7 | 10A | 101 BPM | ||
| Malai Chhodi Mero Chhaya | Narayan Gopal | E♭ Major | 6 | 5B | 119 BPM | ||
| Pahade Jeewan | Bharat Lama, Deep Shrestha, Pahade Jeewan | B Major | 7 | 1B | 130 BPM | ||
| Bojha Nahos Mero Maya | Karna Das | G Major | 7 | 9B | 85 BPM | ||
| Bigunile | Rajesh Payal Rai | C Major | 5 | 8B | 122 BPM | ||
| Janam Janam Jiula Sangai ( From Bar Pipal) | Aananda Karki, Sunita Subba | D Major | 7 | 10B | 94 BPM | ||
| Sancheko Maya | Sugam Pokharel | G Major | 6 | 9B | 100 BPM | ||
| Aama | Deep Shrestha | B Major | 6 | 1B | 87 BPM | ||
| Chalechha Batas Sustari | Shambhu Rai | D Major | 5 | 10B | 136 BPM | ||
| Madira Napiun Ta | Phatteman | G Minor | 4 | 6A | 130 BPM | ||
| Ma Bina Kasai Kasailai Muskil Chha Pokharama | Pramod Kharel | A♭ Minor | 9 | 1A | 80 BPM | ||
| Aau Aba | Suresh kumar | F Major | 3 | 7B | 70 BPM | ||
| Birahama Jalchhu | Narayan Oli, Deep Shrestha | B Major | 5 | 1B | 80 BPM |