Rakesh Pathak Madhur's ' "Jhoole Saton Re Bahiniyan" was released on its scheduled release date, September 12, 2008. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 7 out of 9 in Bhawani Aai Re by Rakesh Pathak Madhur, Ravinder Singh Jyoti, Arun Mishra Gunjan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Jhoole Saton Re Bahiniyan's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jhoole Saton Re Bahiniyan by Rakesh Pathak Madhur is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ka Bhaile Matiya Mein | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Padharo Mhara Bheruji | Chotu Singh Rawna | A♭ Major | 10 | 4B | 119 BPM | ||
| M Deewani Chu Taar | Shahin Shaikh, M Farukh Shaikh, Sonu Rathod | D♭ Major | 6 | 3B | 170 BPM | ||
| Yedu Namacha Elaaz | Chandan Kamble | A Major | 8 | 11B | 99 BPM | ||
| Duniya Me Datar Bado Mhara Praniya - Guru Jambheswar Bhagwan Ki Sakhi | Swami Sachchidanand Acharya | D♭ Major | 8 | 3B | 112 BPM | ||
| Holiyan Main Ude Re Gulal | Seema Mishra, Mukesh Bagda | G Major | 8 | 9B | 134 BPM | ||
| Atka Sundar Tor Roop He Ram Ji | Hiresh Sinha, Jiteshwari Sinha | G Major | 6 | 9B | 126 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Do Do Nanana O Dhola | Karnail Rana | F Minor | 7 | 4A | 89 BPM | ||
| Teri Galiyon Ka Hoon Aashiq | Bhagwat Suthar | A♭ Minor | 5 | 1A | 95 BPM | ||
| Sona Chandi Heera Moti | Lakhbir Singh Lakkha | F Major | 6 | 7B | 106 BPM | ||
| Deenanath Meri Baat | Lakhbir Singh Lakha | D Major | 7 | 10B | 86 BPM | ||
| Mil Kaho Garv Se Hindu | Prakash Mali | A Major | 7 | 11B | 145 BPM | ||
| Meri Nikli Jaye Jaan | Attaullah Khan | F Major | 7 | 7B | 141 BPM | ||
| Habbada Neva Maadi | Basavaraj Narendra, Anuradha Bhat | A Minor | 9 | 8A | 130 BPM | ||
| Bagalwali Jaan Maareli | MANOJ TIWARI | F♯ Minor | 7 | 11A | 140 BPM | ||
| Hare - Hare Baans Ke Madua (Mandap Geet) | Sharda Sinha | F♯ Major | 4 | 2B | 83 BPM | ||
| Siyaram Janki Rehte Hain | Ramkumar Lakha | F♯ Major | 7 | 2B | 100 BPM | ||
| Kajo Naina Milaye O | Karnail Rana | E Major | 7 | 12B | 89 BPM | ||
| Kali Maayi Ke Duare Pe | Rakesh Pathak Madhur | F♯ Major | 6 | 2B | 150 BPM | ||
| Chal Turi Chal Turi | Mithlesh Sahu, Alka Chandrakar | F♯ Major | 8 | 2B | 136 BPM | ||
| Aj Khili Moklayon | Mumtaz Lashari | F♯ Major | 7 | 2B | 144 BPM | ||
| Khayesta Makh Pa Kato Marega Na | Sardar Ali Takkar | F Major | 5 | 7B | 56 BPM | ||
| Maiya Durga Abiyau Mora Angan Meun | Kunj Bihari Mishr | E Major | 8 | 12B | 100 BPM | ||
| Aaju Mithila Nagariya | Maithili Thakur | D♭ Major | 7 | 3B | 150 BPM |