"Knight Tales" by Secession Studios, Greg Dombrowski had its release date on September 30, 2020. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "The Untold II". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Knight Tales is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Knight Tales by Secession Studios, Greg Dombrowski having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| IGNIS SAVE US | Iliya Zaki | F Minor | 3 | 4A | 98 BPM | ||
| The Still, Cold World (Bonus Track) | Piotr Musiał | B Minor | 6 | 10A | 142 BPM | ||
| Dark F**king Spirit | Chris Benstead | D♭ Minor | 0 | 12A | 106 BPM | ||
| Sciophobia | Jo Wandrini | A Major | 4 | 11B | 77 BPM | ||
| Circles | Wessam Lauf | D Minor | 5 | 7A | 103 BPM | ||
| The Darkness Within | Wessam Lauf | A♭ Minor | 3 | 1A | 127 BPM | ||
| Ocean Splitter | Brandon Lau | D♭ Major | 9 | 3B | 130 BPM | ||
| The Dark Age | Secession Studios, Greg Dombrowski | A♭ Minor | 3 | 1A | 116 BPM | ||
| Farewell to Memory | EpicTracks | A Minor | 4 | 8A | 67 BPM | ||
| The Devil | Rok Nardin | G Minor | 5 | 6A | 76 BPM | ||
| By A Light Below | Jordan Gagne | F Minor | 3 | 4A | 140 BPM | ||
| Sharks Don't Sleep: Carcharias | Dean Valentine | E Major | 3 | 12B | 60 BPM | ||
| Where There Is Darkness | Paul Leonard-Morgan | A Major | 4 | 11B | 128 BPM | ||
| Line in the Sand | Berend Salverda | C Minor | 6 | 5A | 125 BPM | ||
| What Could Have Been - Orchestral Version (from Arcane) | Samuel Kim | F Minor | 4 | 4A | 110 BPM | ||
| The Heart Wants | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | G Minor | 2 | 6A | 84 BPM | ||
| Scarlet Mark | Gothic Storm | F Minor | 8 | 4A | 110 BPM | ||
| Embers | Tybercore | D♭ Minor | 6 | 12A | 110 BPM | ||
| Archangelus | Isabella LeVan | C Minor | 2 | 5A | 122 BPM | ||
| The Last Funeral | Eternal Eclipse | B♭ Major | 3 | 6B | 90 BPM | ||
| The King Is Dead | J.T. Peterson | B Minor | 4 | 10A | 107 BPM | ||
| Same Old Stories | Gothic Storm | B♭ Major | 9 | 6B | 110 BPM | ||
| He's Stuck out There | Greg Dombrowski, Secession Studios | G Major | 4 | 9B | 85 BPM | ||
| Carriage of Sorrow | Michael H Lee, Ghostwriter | D♭ Minor | 3 | 12A | 105 BPM | ||
| We Dream Of Stars | Fractured Light Music | A Minor | 1 | 8A | 120 BPM |