On January 1, 2014, the song "Bandeya Laee Ja Rab Da Naam" was released by Wajahat Attre, Masood Rana, Rajab Ali. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wajahat Attre's "Giriftaar (Pakistani Film Soundtrack)" album is number 2 out of 7. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Bandeya Laee Ja Rab Da Naam is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bandeya Laee Ja Rab Da Naam by Wajahat Attre, Masood Rana, Rajab Ali to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jhoom Barabar Jhoom | Master Ayaz Ali | A♭ Major | 5 | 4B | 100 BPM | ||
| Goriye Main Jana Pardes | Parvez Mehdi | A Major | 5 | 11B | 76 BPM | ||
| Bhala Shapaia | Lata Mangeshkar | B♭ Major | 5 | 6B | 132 BPM | ||
| Mehbooba Oh Mehbooba | Asha Bhosle, Mohammed Rafi, R. D. Burman, Mahendra Kapoor, Kishore Kumar, Badd Company, X-Zecutive | D♭ Major | 5 | 3B | 107 BPM | ||
| Kithe Takre Te Haal Sunawa | Ghulam Ali | F Minor | 4 | 4A | 80 BPM | ||
| Yeh Ada Yeh Naz Yeh Andaz Aap Ka | Mala & Ahmed Rushdi | F♯ Major | 7 | 2B | 103 BPM | ||
| Yeh Silla Mila Hai Mujhko | Maratab Ali | F Major | 5 | 7B | 95 BPM | ||
| Yeh Shaam Aur Tera Naam | Alamgir | E Major | 4 | 12B | 101 BPM | ||
| Ho Mubarak Tujhe | Sabri Brothers | A♭ Major | 8 | 4B | 167 BPM | ||
| Raat Chanani Maen Turan | Deedar Singh Pardesi | A♭ Major | 5 | 4B | 161 BPM | ||
| Door Khilo Ke Na Tarsa | Wajahat Attre, Noor Jehan | E♭ Major | 7 | 5B | 104 BPM | ||
| Main Sharabi Hoon Mujhe Pyar Hai | Atta Ullah khan Essakhailvi | F♯ Major | 7 | 2B | 112 BPM | ||
| Chand Kithe Gujari Ai Raat - Punjabi Lok Geet | Surinder Kaur | A Major | 6 | 11B | 77 BPM | ||
| Akhiyan Di Sohn | Nadeem Abbas Khan Lonay Wala | B Minor | 8 | 10A | 120 BPM | ||
| Sone Di Tawetri | Noor Jehan | F Minor | 8 | 4A | 111 BPM | ||
| Mere Shauk Da Nahin Aitbaar - Live | Ghulam Ali | C Major | 4 | 8B | 78 BPM | ||
| Wedding Tappay | Mazhar Rahi | F Minor | 9 | 4A | 116 BPM | ||
| Larri Adda | Sajjad Ali | B♭ Major | 4 | 6B | 158 BPM | ||
| Karan Main Nazara | Amir Ali | B♭ Major | 4 | 6B | 158 BPM | ||
| Dil Ronda hai | Ramzan Jani | D♭ Major | 6 | 3B | 180 BPM | ||
| Yadaan | Zeeshan Khan Rokhri | D♭ Minor | 7 | 12A | 140 BPM | ||
| Sajan Bin Raata | Wahdat Rameez | D Minor | 4 | 7A | 78 BPM | ||
| Ban Ke Mera Parwana | Mala Begum | G Major | 5 | 9B | 173 BPM | ||
| Jugni | Mukhtar Sahota | G Major | 6 | 9B | 205 BPM | ||
| Dhola Sanu Pyar diyan nashya Te La | Zahid Ali Khan | D♭ Minor | 7 | 12A | 91 BPM |