"Save Room" by Masami Ueda had its release date on April 3, 2020. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 45 in the song's album "Resident Evil 3 Special Soundtrack". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Japan. Save Room is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Save Room by Masami Ueda having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Decline | Pawel Blaszczak | F Major | 3 | 7B | 140 BPM | ||
| Berceuse (Largo) | John Wilson, Masami Ueda, JW Soundworks | A♭ Major | 0 | 4B | 137 BPM | ||
| Que Las Campanas Me Doblen | Carlos Viola | D Minor | 3 | 7A | 60 BPM | ||
| Dark City | Andreas Rönnberg | B Minor | 1 | 10A | 64 BPM | ||
| New Dawn | Artur Kordas | F♯ Major | 0 | 2B | 76 BPM | ||
| Free From Fear | Capcom Sound Team | F♯ Major | 0 | 2B | 70 BPM | ||
| The Torrens | The Flight, Christian Henson | A♭ Major | 1 | 4B | 128 BPM | ||
| Sorrow | Kota Suzuki, 千本木操 | D Minor | 2 | 7A | 64 BPM | ||
| Goodbye Mary | Drackfreeee | B♭ Major | 0 | 6B | 66 BPM | ||
| Main Menu | Miwako Chinone | D♭ Minor | 0 | 12A | 76 BPM | ||
| Lost Souls | Jeff Danna, Akira Yamaoka | G Minor | 1 | 6A | 75 BPM | ||
| Welcome to the Asylum | Samuel Laflamme | C Minor | 2 | 5A | 68 BPM | ||
| The Path | Shusaku Uchiyama | B Minor | 2 | 10A | 70 BPM | ||
| 巨像の気配 | SIE Sound Team | A Minor | 4 | 8A | 183 BPM | ||
| The Island | Mac Quayle | B♭ Minor | 5 | 3A | 95 BPM | ||
| Zero Gravity | Trevor Gureckis | C Minor | 3 | 5A | 59 BPM | ||
| Seeds Of Evil (Menu Music) | Darren Mitchell | A Minor | 5 | 8A | 140 BPM | ||
| Born and Raised in Silent Hill | Jeff Danna, Akira Yamaoka | A♭ Major | 3 | 4B | 89 BPM | ||
| Guns of the Patriots | Harry Gregson-Williams | E Major | 3 | 12B | 141 BPM | ||
| Psycho Siren (Mid-Boss Battle) | Masami Ueda, Masato Kouda, Misao Sennbonngi | F Major | 10 | 7B | 145 BPM | ||
| The Front Hall | Capcom Sound Team | F Major | 1 | 7B | 88 BPM | ||
| Canonical Aside | Jason Graves | D♭ Major | 1 | 3B | 170 BPM | ||
| Leon and Claire Meet | TADAYOSHI MAKINO | D Major | 6 | 10B | 72 BPM | ||
| Lunar | Michel F. April | C Minor | 3 | 5A | 120 BPM | ||
| GM01 Chapter Start | BAYONETTA | E Major | 4 | 12B | 72 BPM |