Michael Leunig's ' "The Departed - Spoken Version" was released on its scheduled release date, August 31, 2018. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Elixir's "Gratitude and Grief" album is number 3 out of 21. On top of that, Australia appears to be the country where this track was created. The Departed - Spoken Version is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Departed - Spoken Version by Michael Leunig to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 78 BPM | ||
| Holy Is the True Light | William Henry Harris, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| The Bluebird | Charles Villiers Stanford, The Choral Project | B Major | 0 | 1B | 91 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| The Departed | Elixir, Katie Noonan, Michael Leunig | D Minor | 9 | 7A | 174 BPM | ||
| Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM | ||
| Mother Goose Suite: Sleeping Beauty Pavane | Maurice Ravel, Adelaide Symphony Orchestra, Ron Spigelman | C Major | 0 | 8B | 133 BPM | ||
| Choose Something Like a Star - Randall Thompson | Randall Thompson, Exultate | G Major | 0 | 9B | 66 BPM | ||
| Lully, lulla, thou little tiny child | Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson | C Major | 1 | 8B | 78 BPM | ||
| Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 3 | 4B | 107 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 70 BPM | ||
| As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | ||
| American Triptych: No. 2, The Peace of Wild Things | Jake Runestad, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 66 BPM | ||
| Immortal Bach, op. 153 | Johann Sebastian Bach, Knut Nystedt, Ensemble 96, Øystein Fevang | E♭ Major | 1 | 5B | 174 BPM | ||
| La-La Land - Spoken Version | Michael Leunig | B♭ Major | 1 | 6B | 62 BPM | ||
| Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: I. Ubi caritas | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | D Major | 0 | 10B | 78 BPM | ||
| Kjell Mørk Karlsen: O Magnum Mysterium | Kjell Mørk Karlsen, Schola Cantorum, Tone Bianca Sparre Dahl | B Minor | 0 | 10A | 130 BPM | ||
| Hush, no More (Sleep) | Henry Purcell, Sjaella | B Minor | 0 | 10A | 97 BPM | ||
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| A Moorside Suite: II. Nocturne (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 57 BPM | ||
| Gratitude and Grief - Spoken Version | Michael Leunig | B♭ Major | 1 | 6B | 62 BPM | ||
| Strathclyde Motets: Data est mihi omnis potestas | James MacMillan, Harry Christophers, The Sixteen | C Minor | 1 | 5A | 65 BPM |