Louis Rivelino's 'Strange Telephone' had a release date set for February 24, 2023. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Strange Telephone only contains only one song in the album, we like to consider this song as a single. Based on our statistics, Strange Telephone's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Strange Telephone by Louis Rivelino having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasy | Elbury | B♭ Major | 3 | 6B | 74 BPM | ||
| I've Been There | Charles Costa, King Charles | D Major | 2 | 10B | 149 BPM | ||
| Living Better | Allman Brown, Podsongs | B♭ Major | 3 | 6B | 74 BPM | ||
| Like I Believe in You | Mats Dernánd, Per Alexanderson, Magnus Sjöquist | B♭ Major | 3 | 6B | 74 BPM | ||
| No Pinks | Rich Allen | E Minor | 3 | 9A | 50 BPM | ||
| Coney Island | James Walsh | B♭ Major | 3 | 6B | 74 BPM | ||
| Wandering Through the Twilight | clank kelebu | B♭ Major | 2 | 6B | 112 BPM | ||
| Blossom Days | Antony Hurley | C Major | 1 | 8B | 89 BPM | ||
| Wild Weather | The Tumblers | D Major | 3 | 10B | 110 BPM | ||
| After the Close | Ian Kieffer | G Major | 3 | 9B | 115 BPM | ||
| Hold on To | Wüstenberg | D♭ Minor | 6 | 12A | 165 BPM | ||
| Could Have Been | Highland Express | B♭ Major | 7 | 6B | 160 BPM | ||
| After I Think | Red Moon Yard | B♭ Major | 7 | 6B | 131 BPM | ||
| Deepest Blue | Tyler Ballgame | B♭ Major | 3 | 6B | 74 BPM | ||
| You Can Dance | Charlie Flood | G Major | 4 | 9B | 80 BPM | ||
| Ride On (Lonely Rider) | John Peter and His Collaborators | F Major | 3 | 7B | 109 BPM | ||
| Last Night I Heard America | Martyn Joseph | B♭ Major | 3 | 6B | 74 BPM | ||
| Let It Be Me | Charles Esten, Jonathan Jackson | B♭ Major | 3 | 6B | 74 BPM | ||
| January Colours | The Radar Station | C Minor | 5 | 5A | 154 BPM | ||
| Another Song About Light | Paul Moody | B♭ Major | 3 | 6B | 74 BPM | ||
| Gold Coast | Fancy Gap | A Major | 5 | 11B | 140 BPM | ||
| The Last Word | Chris Difford | F♯ Major | 4 | 2B | 106 BPM | ||
| Cornerstone | Saer | D Major | 2 | 10B | 136 BPM | ||
| The Shoreline of the New Year | Augustifamiljen | B♭ Major | 3 | 6B | 74 BPM | ||
| STARE BACK AT YOU (UNPLUGGED) | Wretched Pinhead Puppets | B Major | 5 | 1B | 134 BPM |