N. Srinath, H. R. Leelavathi, Chenna Basavanna's 'Bhaktha Shanthanaagirabeku' had a release date set for August 1, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Honnu Maaye Yembaru Honnu Maayeyalla" album is number 13 out of 15. On top of that, India appears to be the country where this track was created. Based on our statistics, Bhaktha Shanthanaagirabeku's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bhaktha Shanthanaagirabeku by N. Srinath, H. R. Leelavathi, Chenna Basavanna to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yadav Nee Baa | Bhimsen Joshi | E Minor | 4 | 9A | 88 BPM | ||
| Sri Hanuman Aarthi | S. P. Balasubrahmanyam | G Major | 5 | 9B | 106 BPM | ||
| MUZHU MUTHAR PORULAE | T.L.MAHARAJAN, B.S.SASIREKHA | D Major | 3 | 10B | 124 BPM | ||
| Jyoti Belagutide - Studio | C. Ashwath, Sangeetha Katti | G Major | 4 | 9B | 160 BPM | ||
| Mangalmurti Maruti Nandan | Kumar Vishu, Chandra Kamal | D Minor | 7 | 7A | 88 BPM | ||
| Raja Beediyolage | Mysore Ramachandrachar | A♭ Major | 6 | 4B | 171 BPM | ||
| Shri Lakshmi Stotra | Nanditha, Divya Raghavan | E♭ Major | 5 | 5B | 132 BPM | ||
| Namah Parvathi Pathaye Hara Hara | Dappu Srinu | F Major | 7 | 7B | 132 BPM | ||
| Arey Ghaligeyu Ninna | Vidyabhushana, H. L. Sheshachandra | F Major | 6 | 7B | 108 BPM | ||
| Kathale Saadigu | Vidyabhushana | G Major | 5 | 9B | 86 BPM | ||
| Sri Gananadham | Sivala Sisters | C Major | 2 | 8B | 143 BPM | ||
| Mantralaya Nivaasa | Venkatesh Kumar | B Major | 6 | 1B | 116 BPM | ||
| Jaya Sri Ganesh | V. Anand | C Major | 2 | 8B | 143 BPM | ||
| Devi Mandira | Keerti Kumar Badseshi | F Major | 4 | 7B | 173 BPM | ||
| Narayanana Nene Manave | Anantha Kulkarni | G Major | 7 | 9B | 158 BPM | ||
| Govinda Hare Govinda | Vidyabhushana | D Minor | 4 | 7A | 92 BPM | ||
| Shuddha Brahma Parathpara Rama | Sheshagiridas Raichur | F Major | 8 | 7B | 106 BPM | ||
| Narahariye Ninna (Siri Ramana) | Mysore Ramachandrachar | F♯ Major | 6 | 2B | 144 BPM | ||
| Shivaya Shivashankaraya | Prabhakar | B Minor | 6 | 10A | 110 BPM | ||
| Neenyako Ninna Hangyako | Bhimsen Joshi | D♭ Major | 6 | 3B | 100 BPM | ||
| Manthralaya Devendra | Vidyabhushana, H. L. Sheshachandra | F Major | 7 | 7B | 144 BPM | ||
| Gnyadinda Shiva | Ramalingaiah Gowda | A Major | 6 | 11B | 106 BPM | ||
| Sharanam Vigna Vinasa | Dappu Srinu | E♭ Major | 7 | 5B | 91 BPM | ||
| Nagendra Haaraya | Aravind Sriram, Somayajula Murty, Maharajapuram Ramu | D Major | 4 | 10B | 120 BPM | ||
| Nambide Ninna Paada | Venkatesh Kumar | B♭ Minor | 6 | 3A | 98 BPM |