Shane Carruth's ' "I Love to Be Alone" was released on its scheduled release date, February 20, 2013. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. I Love to Be Alone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Upstream Color (Original Motion Picture Score)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of I Love to Be Alone is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With I Love to Be Alone by Shane Carruth having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Hours Before | Hildur Guðnadóttir | C Major | 2 | 8B | 84 BPM | ||
| Where_Have_All_My_Files_Gone? | Jason Bingham Noble, Rachel Grimes, Rachel's | D Minor | 1 | 7A | 76 BPM | ||
| The Meeting | Ólafur Arnalds | D Minor | 1 | 7A | 63 BPM | ||
| Washer Logistics | Eluvium | N/A | N/A | N/A | 0 BPM | ||
| In Sickness, In Health | Clint Mansell | D Major | 0 | 10B | 68 BPM | ||
| Katrina Outtake | Matthew Robert Cooper | D Major | 0 | 10B | 136 BPM | ||
| Valkenburgh | Hammock | D Major | 1 | 10B | 145 BPM | ||
| Cruel Miracles | Ben Frost, Daníel Bjarnason | D Major | 0 | 10B | 132 BPM | ||
| Vaccination No. 2 | Tim Hecker, Daniel Lopatin | D Minor | 3 | 7A | 85 BPM | ||
| Requiem On Frankfort Ave | Eluvium | D Major | 1 | 10B | 82 BPM | ||
| I Know That You Don't Like the Future Like I Do | Brian McBride | A Major | 0 | 11B | 84 BPM | ||
| Aaron's Debt | Shane Carruth | D♭ Minor | 0 | 12A | 135 BPM | ||
| The Funeral | Stars Of The Lid, Adam Wiltzie | B♭ Major | 0 | 6B | 77 BPM | ||
| Ava | Ben Salisbury, Geoff Barrow | F♯ Major | 0 | 2B | 68 BPM | ||
| Woman Of Aran | Sea Power | A Major | 4 | 11B | 94 BPM | ||
| Chang Vision | Cliff Martinez, Gregory Tripi | G Minor | 1 | 6A | 64 BPM | ||
| Fragment II | Library Tapes | F Major | 1 | 7B | 80 BPM | ||
| Are You Receiving? | Clint Mansell | G Major | 3 | 9B | 137 BPM | ||
| A Young Forest Growing Up Under Your Meadows | Shane Carruth | A Major | 2 | 11B | 71 BPM | ||
| The Behenian Gospel | Ben Lukas Boysen | A♭ Major | 2 | 4B | 94 BPM | ||
| Broad Channel | Bing & Ruth | A Major | 0 | 11B | 118 BPM | ||
| The Haunted Ocean 3 | Max Richter | G Major | 0 | 9B | 156 BPM | ||
| Super Interlude Pt. 2 | Christina Vantzou | A Minor | 1 | 8A | 79 BPM | ||
| Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand | Shane Carruth | B♭ Minor | 2 | 3A | 105 BPM | ||
| Jimenez | Hammock | E Major | 1 | 12B | 140 BPM |