Shin-ichi Fukuda's ' "無伴奏チェロ組曲 第1番 BWV 1007 より プレリュード" was released on its scheduled release date, October 30, 2019. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. 無伴奏チェロ組曲 第1番 BWV 1007 より プレリュード's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 映画「マチネの終わりに」オリジナル・サウンドトラック, so we believe that "無伴奏チェロ組曲 第1番 BWV 1007 より プレリュード" is a single. Based on our statistics, 無伴奏チェロ組曲 第1番 BWV 1007 より プレリュード's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 無伴奏チェロ組曲 第1番 BWV 1007 より プレリュード by Shin-ichi Fukuda is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 24 Progressive Lessons, Op. 31: No. 2, Andante | Fernando Sor, Enea Leone | C Major | 0 | 8B | 73 BPM | ||
| Villa-Lobos: Guitar Preludes, W419: No. 4 in E Minor, Lento | Heitor Villa-Lobos, Turibio Santos | B Minor | 0 | 10A | 114 BPM | ||
| Capricho Catalán | Isaac Albéniz, David Russell | E Minor | 1 | 9A | 91 BPM | ||
| タンゴ組曲より II. アンダンテ | Shin-ichi Fukuda, エドゥアルド・フェルナンデス | A Minor | 1 | 8A | 88 BPM | ||
| Bolero | David Tutmark | A Major | 3 | 11B | 85 BPM | ||
| Der Nussbaum | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Preludio BWV 1007 | J. S. Bach, Anabel Montesinos | D Major | 1 | 10B | 145 BPM | ||
| Guitar Suite No. 1: III. Into a Clearing | Peter Scott Lewis | G Minor | 0 | 6A | 94 BPM | ||
| Sonata giocosa: II. Andante moderato | Joaquín Rodrigo, Marcin Dylla | A Minor | 0 | 8A | 102 BPM | ||
| Towards The Closing Gates | Santiago Kodela | C Major | 2 | 8B | 77 BPM | ||
| Album de la Juventud, Op. 68: Nº 9 Canción Popular | Robert Schumann, Andrés Segovia | E Major | 0 | 12B | 116 BPM | ||
| Serenade: I. In the Moonlight | Toshio Hosokawa, Shin-ichi Fukuda | B Minor | 0 | 10A | 80 BPM | ||
| 愛のロマンス(「禁じられた遊び」より) | スペイン民謡, Shin-ichi Fukuda | B Minor | 0 | 10A | 74 BPM | ||
| Cenas Brasileiras: No. 1, Serões | Isaías Sávio, Gerald Garcia | G Major | 1 | 9B | 83 BPM | ||
| Canto funebre | Hiroshi Hara, Shin-ichi Fukuda | B Minor | 0 | 10A | 169 BPM | ||
| Poema Valseado | Astor Piazzolla, Shin-ichi Fukuda | E Minor | 0 | 9A | 93 BPM | ||
| Minidanza del siglo XX - Nº 3 | Antonio Chover Salom, Carlos Blanco Ruiz | E Major | 0 | 12B | 77 BPM | ||
| Songs Without Words: Weary | Madame Sidney Pratten, Heike Matthiesen | D Major | 1 | 10B | 131 BPM | ||
| Guitar Suite No. 1: II. Rain Fantasy | Peter Scott Lewis | G Major | 1 | 9B | 93 BPM | ||
| Dona Carmen | Carlos Moscardini, Victor Villadangos | D Major | 0 | 10B | 76 BPM | ||
| Sonata, Op. 61: II. Andante | Joaquín Turina, Shiri Coneh | F Major | 1 | 7B | 100 BPM | ||
| Fantasia Sobre "El Paño" O Sea "El Punto De La Habana" | María Esther Guzmán | E Minor | 1 | 9A | 75 BPM | ||
| Lauro: Romanza | Antonio Lauro, Sharon Isbin | D Major | 0 | 10B | 204 BPM | ||
| Sakura - Theme & Variations On A Japanese Folk Song | Yukihiro Yoko, Göran Söllscher | A Minor | 1 | 8A | 144 BPM | ||
| Ballades for Koto, Vol. 2 "Spring": No. 1, Mebae (Young Sprout) [Arr. L. Brouwer for Guitar] | Minoru Miki, Shin-ichi Fukuda | C Minor | 0 | 5A | 128 BPM |