Spoorthi Rao's ' "Baro Krishnayya" was released on its scheduled release date, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in Carnatic Gems - Spoorthi Rao by Spoorthi Rao. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Baro Krishnayya is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Baro Krishnayya by Spoorthi Rao is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Taraka Bindige | N Parthasarathy, Spoorthi Rao | F Major | 2 | 7B | 74 BPM | ||
| Sharanara Kayai | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | C Major | 3 | 8B | 166 BPM | ||
| Lingastakam | Ajay | C Minor | 5 | 5A | 102 BPM | ||
| Manjunatheshwara | Rajkumar | E♭ Minor | 6 | 2A | 140 BPM | ||
| Thunga Theeradi | Narashima Naik, Purandara Dasaru | D♭ Major | 6 | 3B | 156 BPM | ||
| Marugelara O Raghava | Nitya Santoshini | F♯ Minor | 4 | 11A | 91 BPM | ||
| Yesu Kayangala (Dasanagu Visheshanagu) | Mysore Ramachandrachar | A♭ Minor | 8 | 1A | 145 BPM | ||
| Danidana Nanna Dore | C. Ashwath, Shivananda Patil, Sangeetha Katti, Rathnamala Prakash, Malati Sharma, Prakash Raj, Vijaya Lakshmi | E Major | 5 | 12B | 160 BPM | ||
| Dimbadalliruva Jeeva | Mysore Ramachandrachar | F♯ Major | 6 | 2B | 88 BPM | ||
| Kailasavaasa Gaurisha Isha | Bhimsen Joshi | D Major | 5 | 10B | 83 BPM | ||
| Aaditya Hrudayam | Shastry Brothers | A♭ Major | 5 | 4B | 71 BPM | ||
| Tharuni Njan - Dvijavanthi - Misra Chapu | N. J. Nandini | A♭ Major | 4 | 4B | 132 BPM | ||
| Eppathelu Maleya | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | F♯ Minor | 6 | 11A | 122 BPM | ||
| Bhagavan Sharanam | Veeramani Raju | C Major | 6 | 8B | 137 BPM | ||
| Ane Banthane | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Kanha re | Vyasaraya, Spoorthi Rao | D♭ Major | 4 | 3B | 142 BPM | ||
| Gandhada Karadige | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | A Minor | 6 | 8A | 153 BPM | ||
| Vishwanathashtakam | S. P. Balasubrahmanyam, Ramu | G Major | 4 | 9B | 116 BPM | ||
| Kaashiyinda Bandanalli | S. Janaki | B♭ Minor | 5 | 3A | 142 BPM | ||
| Amma Naanu Devarane | Mahanya Guru Patil, Jeevan Joy, Amit Sachdeva, Ramanujan Mk | A Major | 5 | 11B | 156 BPM | ||
| Pavamana Pavamana | Anantha Kulkarni | F♯ Major | 4 | 2B | 96 BPM | ||
| Vizhikidaikkuma | Udaiyalur Kalyanaraman | G Major | 7 | 9B | 120 BPM | ||
| Sainath Suprabhatham | Vani Jairam, Ajay Warriar, Banglore Sisters | G Major | 2 | 9B | 78 BPM | ||
| Bhagyada Lakshmi Baramma | Uthara Unnikrishnan | A♭ Major | 6 | 4B | 174 BPM | ||
| Banashankari | Bangalore Sisters | E Minor | 6 | 9A | 143 BPM |