Jitendra Abhisheki's ' "Abhir Gulal Udhalit Rang" was released on its scheduled release date, January 1, 1978. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Mendichya Panavar,Vol. 3 and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Abhir Gulal Udhalit Rang is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Abhir Gulal Udhalit Rang by Jitendra Abhisheki to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swami Samarth Mauli (feat. Manasi Naik, Tanmay C. Patekar24) | Mayur Sukale, Manasi Naik, Tanmay C. Patekar24 | C Major | 5 | 8B | 110 BPM | ||
| Pandharichi Vaari | Bhimsen Joshi | D♭ Major | 4 | 3B | 82 BPM | ||
| Aaj Mee Dattaguru Pahile | R.N. Paradkar | D♭ Major | 3 | 3B | 102 BPM | ||
| Omakr Anadi Anant | Salil Kulkarni | C Major | 5 | 8B | 114 BPM | ||
| Ya Jagnyavar | Mangesh Padgaonkar | A Minor | 2 | 8A | 175 BPM | ||
| Mann He Dhaale - Studio | Vasant Ajgaonkar | F♯ Minor | 7 | 11A | 126 BPM | ||
| Ritu Hirwa | Asha Bhosle | F Major | 5 | 7B | 125 BPM | ||
| Kadhi Lagel Re Vedya Tula Godi Abhangachi | Prahlad Shinde | E♭ Minor | 9 | 2A | 101 BPM | ||
| Gauri Ganpatichya Sanala | Vitthal Uamap | F♯ Major | 7 | 2B | 77 BPM | ||
| He Gajavadan | Saleel Kulkarni | C Major | 6 | 8B | 114 BPM | ||
| Darshan De Re Bhagvanta | Prahlad Shinde | F Major | 5 | 7B | 178 BPM | ||
| Man Shevantiche Phool | Deepti Mate | A Major | 4 | 11B | 120 BPM | ||
| Adi Tuch Anti Tuch Swami | Abhay Jodhpurkar | E♭ Major | 5 | 5B | 75 BPM | ||
| Dev Devharyat Nahi | Sudhir Phadke | D Major | 5 | 10B | 103 BPM | ||
| Dharuni Bot Swaminche | Mahesh Kale | D♭ Major | 6 | 3B | 103 BPM | ||
| Sur Tech Chhedita | Mahendra Kapoor | B Minor | 3 | 10A | 75 BPM | ||
| VITTHALACHYA NAVACHA | ADARSH SHINDE | A♭ Major | 7 | 4B | 91 BPM | ||
| Rimjhim Zarati Shravan Dhara | Suman Kalyanpur | D♭ Major | 4 | 3B | 173 BPM | ||
| Nighalo Gheun Dattachi Paalkhi | Anuradha Paudwal, Ajeet Kadkade | C Major | 2 | 8B | 168 BPM | ||
| Pandurang Trata Pandurang Daata | Jitendra Abhisheki | C Major | 3 | 8B | 83 BPM | ||
| Taal Bole Chipalila | Mahesh Hiremath, Shubhangi Joshi | A♭ Major | 6 | 4B | 188 BPM | ||
| Swaminche Nandanvan | Savaniee Ravindrra | D Major | 4 | 10B | 110 BPM | ||
| Ha Rusava Sod | Mohammed Rafi | F♯ Major | 5 | 2B | 144 BPM | ||
| Chandane Shimpit Jashi | Asha Bhosle | D♭ Major | 4 | 3B | 112 BPM | ||
| Surat Piya Ki | Vasantrao Deshpande | B♭ Minor | 7 | 3A | 145 BPM |