"Tragoedia: Episodion: Strophe I - Anapaest I" by Harrison Birtwistle, Ensemble Intercontemporain, Pierre Boulez had its release date on January 1, 1995. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 13 in Birtwistle: Secret Theatre; Tragoedia; Five Distances; 3 Settings of Celan by Harrison Birtwistle, Ensemble Intercontemporain, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Tragoedia: Episodion: Strophe I - Anapaest I is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tragoedia: Episodion: Strophe I - Anapaest I by Harrison Birtwistle, Ensemble Intercontemporain, Pierre Boulez is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | A Major | 0 | 11B | 92 BPM | ||
| Missa Pax: IV. Interlude | Timothy Corlis, James Campbell, Michael Bloss | E Major | 0 | 12B | 85 BPM | ||
| Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | F♯ Minor | 1 | 11A | 91 BPM | ||
| Silbury Air: — | Harrison Birtwistle, London Sinfonietta, Elgar Howarth | F Major | 0 | 7B | 80 BPM | ||
| Variations for Orchestra, Op. 31: Introduktion | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 133 BPM | ||
| 7 Haikus: IV. Con moto assai. Giocoso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Serenade After Plato's "Symposium": IV. Agathon. Adagio | Leonard Bernstein, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | F♯ Minor | 1 | 11A | 91 BPM | ||
| Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | ||
| Mythes, Trois Poèmes, Op. 30: 1. La fontaine d'Arethuse | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A♭ Minor | 0 | 1A | 74 BPM | ||
| Music of Changes: I | John Cage, David Tudor | B♭ Minor | 0 | 3A | 115 BPM | ||
| Oockooing Bird | Harrison Birtwistle, Nicolas Hodges, Claire Edwardes | F♯ Minor | 1 | 11A | 91 BPM | ||
| Sad Song | Harrison Birtwistle, Nicolas Hodges, Claire Edwardes | F♯ Minor | 1 | 11A | 91 BPM | ||
| Abstractions: V. Three (Inspired by Brice Marden’s 3, 1987-88) | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | A Minor | 0 | 8A | 111 BPM | ||
| Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D Major | 0 | 10B | 77 BPM | ||
| 7 Papillons: No. 6, — | Kaija Saariaho, Anssi Karttunen | A Minor | 2 | 8A | 137 BPM | ||
| Fratres (Version for String Quartet) | Arvo Pärt, Rudolf Werthen, Arnold Kobyliansky, Michael Kugel, France Springuel | C Minor | 0 | 5A | 73 BPM | ||
| Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
| Gawain, Act I (1994 Revised Version): The Green Knight's Challenge. Which of You Is King? [Live] | Harrison Birtwistle, John Tomlinson, Kevin Smith, Orchestra Of The Royal Opera House, John Marsden, Alan Ewing, Francois Le Roux, Richard Greager, Marie Angel, Anne Howells, Elgar Howarth | G Major | 3 | 9B | 70 BPM | ||
| 3 Miniatures for Clarinet and Piano (I. Allegro II. Andante Cantabile III. Allegro Ma Non Troppo) | Krzysztof Penderecki, Anna Miernik, Barbara Borowicz | B♭ Major | 3 | 6B | 81 BPM | ||
| Solfeggio | Arvo Pärt, NYYD Quartet, Paul Hillier | C Major | 0 | 8B | 80 BPM | ||
| To The Forefront | Ryan Erik Adamsons, Zephyr Brass Collective, Joe Smith | E♭ Major | 2 | 5B | 104 BPM | ||
| Punch and Judy: Toccata I B | Harrison Birtwistle, Jan DeGaetani, Philip Langridge, Stephen Roberts, David Wilson-Johnson, John Tomlinson, London Sinfonietta, David Atherton | G Major | 0 | 9B | 79 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F♯ Minor | 1 | 11A | 91 BPM | ||
| Histoire du soldat Suite (the Soldier's Tale Suite): I. The Soldier's March | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | B Minor | 1 | 10A | 61 BPM | ||
| The Viola in My Life III | Morton Feldman, Antoine Tamestit, Paulo Alvares | D♭ Major | 0 | 3B | 66 BPM |