Matt Monro's ' "Hello, Dolly! - Lost New York Session, November 1966" was released on its scheduled release date, March 13, 2020. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Hello, Dolly! - Lost New York Session, November 1966's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Stranger In Paradise - The Lost New York Sessions". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Hello, Dolly! - Lost New York Session, November 1966 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Hello, Dolly! - Lost New York Session, November 1966 by Matt Monro having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Release Me | Engelbert Humperdinck | B♭ Major | 4 | 6B | 124 BPM | ||
| Somewhere My Love | Ken Dodd | G Major | 2 | 9B | 90 BPM | ||
| Oh My Papa | Eddie Fisher | C Major | 3 | 8B | 102 BPM | ||
| High Society: True Love | Bing Crosby & Grace Kelly | G Major | 2 | 9B | 137 BPM | ||
| The Impossible Dream - From "Man Of La Mancha" | The Bachelors | B♭ Major | 4 | 6B | 90 BPM | ||
| On Days Like These | Matt Monro | G Minor | 2 | 6A | 95 BPM | ||
| The Wedding | Julie Rogers | A♭ Major | 6 | 4B | 96 BPM | ||
| Softly as I Leave You - Mono; Single Version | Matt Monro | C Major | 1 | 8B | 74 BPM | ||
| Hey There | Johnnie Ray | F Major | 2 | 7B | 80 BPM | ||
| Everybody Loves Somebody | Deana Martin | C Major | 5 | 8B | 78 BPM | ||
| Paper Roses | Anita Bryant | G Major | 3 | 9B | 115 BPM | ||
| My Cup Runneth Over | Ed Ames | G Major | 4 | 9B | 101 BPM | ||
| HALF HEAVEN - HALF HEARTACHE | GENE PITNEY | E♭ Major | 3 | 5B | 100 BPM | ||
| My Kind of Girl | Matt Monro | F Major | 2 | 7B | 131 BPM | ||
| So Deep Is the Night | Ken Dodd | C Major | 4 | 8B | 96 BPM | ||
| Love Is a Many-Splendored Thing | The Four Aces | C Major | 3 | 8B | 102 BPM | ||
| Sonata of Love | Victor Wood | D Major | 3 | 10B | 72 BPM | ||
| Answer Me, My Love | Ray Peterson | C Major | 3 | 8B | 102 BPM | ||
| Love Me With All of Your Heart | The Bachelors | C Major | 3 | 8B | 102 BPM | ||
| My Little One | Frankie Laine | F♯ Minor | 1 | 11A | 81 BPM | ||
| Without You | Matt Monro | C Major | 4 | 8B | 115 BPM | ||
| Spanish Eyes | Engelbert Humperdinck | B♭ Major | 5 | 6B | 106 BPM | ||
| Yesterday | Jane Morgan | G Major | 3 | 9B | 92 BPM | ||
| Softly Softly | Ruby Murray | D Major | 2 | 10B | 127 BPM | ||
| Les Bicyclettes de Belsize | Engelbert Humperdinck | F Major | 4 | 7B | 110 BPM |